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The Wildy Family, 1500-1955
Rudolf Wildi (1773-1823) married Anna Maria Steiner in 1797, and immigrated in 1817 from Switzerland to St. Clair County, Illinois. Descendants (chiefly spelling the surname Wildy) and relatives lived in Illinois, Indiana, Missouri, California and elsewhere. Includes ancestry in Switzerland to the early 1600s.
Binocular rivalry: a gateway to consciousness
Brain-mind problems like consciousness have been stimulating the interest of philosophers and scientists since the ancient times. In the last decades, the dramatic development of neuroscience has allowed studying such phenomena at several different levels – from single neurons to behavior. Binocular rivalry, a paradigm dissociating the sensory input from the conscious perception during dichoptic viewing of incongruent images, has been a celebrated example of such a tool. During the last century, empirical research on binocular rivalry contributed the first important insights into the neuronal mechanisms of subjective visual perception. Recent advances in brain imaging and electrophysiologi...
Journey with No Maps
Poet, traveller, artist, and mystic - the story of one extraordinary woman's many lives.
Blur
The book, "traces the creation, from conception to realization, of a media pavilion for the Swiss Expo.02 whose primary materials are steel and fog."
In Good Hands
The Canadian Handicrafts Guild broadened the definition of art and the artist in Canada. Linking decorative arts with home arts and handicrafts, the Guild consistently showed them together at annual exhibitions at the art gallery in Montreal and formed a permanent collection documenting old and contemporary crafts. The Guild women combined creativity and philanthropy, voluntarism and an entrepreneurial spirit, education and concern with quality, in a movement that provided income and recognition to craftspeople and a craft legacy to Canada. In Good Hands is alive with the interplay between art and social history, and the issues this dialogue raised at the time and those we bring to it now constantly overlap. It deals with noblesse oblige and the era's patronizing attitude to cultural difference, but shows how the Guild consciously fostered an inclusive national feeling by exhibiting and selling crafts of all Canadians on an equal footing. It also draws a much broader perspective of women's roles in shaping our culture than has been the norm in Canadian art history.
,,Männer schlagen keine Frauen?! – Und umgekehrt?“
Gewalt ist nicht nur eine Männerdomäne. Denn physische und psychische Gewalt wird sowohl vom männlichen, als auch vom weiblichen Geschlecht angewendet. Allerdings ist das Phänomen der Jungengewalt gut erforscht und bearbeitet, während die Anwendung und Ausprägung von Gewalt durch Mädchen und junge Frauen weitgehend unerforscht sind. Der Wissensstand über die Motive und die Ursachenkomplexe ist hier bisher eher gering. In dieser Studie wird auf der Basis von Leitfadeninterviews Licht ins Dunkel gebracht. Ausgangslage ist hierbei gezielt das weibliche Geschlecht und keine weiterführenden Thesen, die vom männlichen Geschlecht abgeleitet sind. Die betroffenen weiblichen Jugendlichen un...
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