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Resilient Bodies, Residual Effects
What does it take to cross a border, and what does it take to belong? Sandra Noeth examines the entangled experiences of borders and of collectivity through the perspective of bodies. By dramaturgical analyses of contemporary artistic work from Lebanon and Palestine, Noeth shows how borders and collectivity are constructed and negotiated through performative, corporeal, movement-based, and sensory strategies and processes. This interdisciplinary study is made urgent by social and political transformations across the Middle East and beyond from 2010 onwards. It puts to the fore the residual, body-bound structural effects of borders and of collectivity and proceeds to develop notions of agency and responsibility that are immanently bound to bodies in relation.
Breathe - Critical Research Into the Inequalities of Life
This volume explore different acts of suffocation and release. It show how the protection of bodies is unequally and ambivalently distributed.
Emerging Bodies
The concept of »worldmaking« is based on the idea that ›the world‹ is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing ›dance worlds‹: through artistic practice, discourse and media, choreographic form and dance material. The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral - an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day.
Emerging Bodies
This book relates to the scientific lecture program held at Dance Congress 2009 and approaches the plural, hybrid, and disparate worlds of dance and choreography; in addition to the specific discursive and medial strategies, modes, and materials of interdisciplinary perspectives. Thus, it is not only relevant in the context of dance research, but implies epistemological explosiveness as dance may be considered as an exemplary field of investigation with regard to the construction of certitude about the world in the context of assumptions, imagination, action, and perception.
The Gaze of the X-Ray
Since its invention in the late nineteenth century, the penetrating gaze of the X-ray has changed our vision of the inside of the human body. After we started to see inside ourselves, the relationship between ourselves and our bodies changed forever. As a progression in medical science, X-ray technology was fashioned to maintain and save life. However, as the contributors to this volume show, it has been a device of ruination as well. They visualise the traces and the pattern of violence, practised by the states, racial capitalism, colonial racism and sexism. By juxtaposing different cases across time and space, this collection demonstrates a set of relations between civilization and ruination.
Singular Plural Ways of Staging Together
Focusing on staging processes in contemporary dance and art performance creates new opportunities to study creative participation and co-authorship. To gain these new insights, Iris Julian analyses experimental projects initiated by two groups and a single choreographer: Collect-if by Collect-if, Deufert + Plischke and Xavier Le Roy. By exploring nuances of staging work, the concept of singular plural became the analytical guideline and resulted into three research perspectives: theatre studies, sociology and ontological reading (Jean-Luc Nancy, Michaela Ott, Gerald Raunig). This approach makes it possible to look beyond the importance that is often credited to single authorship in the arts. With a foreword by Prof. Dr. Gerald Siegmund.
Moving Otherwise
Moving Otherwise examines how contemporary dance practices in Buenos Aires, Argentina enacted politics within climates of political and economic violence from the mid-1960s to the mid-2010s. From the repression of military dictatorships to the precarity of economic crises, contemporary dancers and audiences consistently responded to and reimagined the everyday choreographies that have accompanied Argentina's volatile political history. The titular concept, "moving otherwise" names how both concert dance and its off-stage practice and consumption offer alternatives to and modes to critique the patterns of movement and bodily comportment that shape everyday life in contexts marked by violence....
The Oxford Handbook of Dance and Politics
The Oxford Handbook of Dance and Politics presents cutting edge research investigating not only how dance achieves its politics, but also how notions of the political are themselves expanded when viewed from the perspective of dance.
War and Aesthetics
A provocative edited collection that takes an original approach toward the black box of military technology, surveillance, and AI—and reveals the aesthetic dimension of warfare. War and Aesthetics gathers leading artists, political scientists, and scholars to outline the aesthetic dimension of warfare and offer a novel perspective on its contemporary character and the construction of its potential futures. Edited by a team of four scholars, Jens Bjering, Anders Engberg-Pedersen, Solveig Gade, and Christine Strandmose Toft, this timely volume examines warfare through the lens of aesthetics, arguing that the aesthetic configurations of perception, technology, and time are central to the arti...
The Brecht Yearbook / Das Brecht-Jahrbuch 40
Newest volume of the central scholarly forum for discussion of Brecht and aspects of theater and literature of particular interest to him, especially the politics of literature and theater in a global context.
