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"Ultimately, I propose that considering internalization as embodiment is a critical methodological shift in understanding mystical methods in general, and especially for probing recollection mysticism in depth. The inner man as opposed to the outer man is a Pauline and Lutheran commonplace that is too frequently taken out of context, leading historians of the Renaissance in general, and of Spanish Renaissance religion in particular, to value references to internal (or mental) methods of spirituality as an improvement over external (or bodily) rituals. This book takes its cue from the recent 'cognitive turn' in medieval studies that complicates studies of the body in religion by focusing on t...
The rosary has been nearly ubiquitous among Roman Catholics since its first appearance in Europe five centuries ago. Why has this particular devotional object been so resilient, especially in the face of Catholicism's reinvention in the Early Modern, or "Counter-Reformation," Era? Nathan D. Mitchell argues in lyric prose that to understand the rosary's adaptability, it is essential to consider the changes Catholicism itself began to experience in the aftermath of the Reformation. Unlike many other scholars of this period, Mitchell argues that after the Reformation Catholicism actually became less retrenched and more open to change. This innovation was especially evident in the sometimes "subversive" visual representations of sacred subjects and in new ways of perceiving the relation between Catholic devotion and the liturgy's ritual symbols. The rosary played a crucial role not only in how Catholics gave flesh to their faith, but in new ways of constructing their personal and collective identity. Ultimately, Mitchell employs the history of the rosary as a lens through which to better understand early modern Catholic history.
The Companion to Music in the Age of the Catholic Monarchs, edited by Tess Knighton, offers a major new study that deepens and enriches our understanding of the forms and functions of music that flourished in late medieval Spanish society. The fifteen essays, written by leading authorities in the field, present a synthesis based on recently discovered material that throws new light on different aspects of musical life during the reign of Ferdinand and Isabel (1474-1516): sacred and secular music-making in royal and aristocratic circles; the cathedral music environment; liturgy and power; musical connections with Rome, Portugal and the New World; theoretical and unwritten musical practices; women as patrons and performers; and the legacy of Jewish musical tradition. Contributors are Mercedes Castillo Ferreira, Giuseppe Fiorentino, Roberta Freund Schwartz, Eleazar Gutwirth, Tess Knighton, Kenneth Kreitner, Javier Marín López, Ascensión Mazuela-Anguita, Bernadette Nelson, Pilar Ramos López, Emilio Ros-Fábregas, Juan Ruiz Jiménez, Richard Sherr, Ronald Surtz, and Jane Whetnall.
A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation a...
Janello Torriani, known in the Spanish-speaking world as Juanelo Turriano (Cremona, Italy ca. 1500 – Toledo, Spain 1585), is the greatest among Renaissance inventors and constructors of machines. Contemporary literates and mathematicians celebrated Janello Torriani and his creations in their writings. It is striking how such fame turned into nearly complete oblivion, leaving only a few clues of a blurred and distorted memory dispersed here and there. This book wishes to show the central role that artisans formed in the Vitruvian tradition played in demonstrating through practical mathematics an increasing and positive control over Nature, a step rooted in humanist culture and foundational for the understanding of those historical processes known as the Scientific and the Industrial Revolutions.
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Through years of fieldwork in the state of Oaxaca, Mexico, art historian and archaeologist Alessia Frassani formulated a compelling question: How did Mesoamerican society maintain its distinctive cultural heritage despite colonization by the Spanish? In Building Yanhuitlan, she focuses on an imposing structure—a sixteenth-century Dominican monastery complex in the village of Yanhuitlan. For centuries, the buildings have served a central role in the village landscape and the lives of its people. Ostensibly, there is nothing indigenous about the complex or the artwork inside. So how does such a place fit within the Mixteca, where Frassani acknowledges a continuity of indigenous culture in th...