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Modernism and Theology
This is the first book-length study to examine the interface between literary and theological modernisms. It provides a comprehensive account of literary responses to the modernist crisis in Christian theology from a transnational and interdenominational perspective. It offers a cultural history of the period, considering a wide range of literary and historical sources, including novels, drama, poetry, literary criticism, encyclicals, theological and philosophical treatises, periodical publications, and wartime propaganda. By contextualising literary modernism within the cultural, religious, and political landscape, the book reveals fundamental yet largely forgotten connections between literary and theological modernisms. It shows that early-twentieth-century authors, poets, and critics, including Rainer Maria Rilke, T. S. Eliot, and Czesław Miłosz, actively engaged with the debates between modernist and neo-scholastic theologians raging across Europe. These debates contributed to developing new ways of thinking about the relationship between religion and literature, and informed contemporary critical writings on aesthetics and poetics.
Peacebuilding in the African Union
Particularly in the context of internal conflicts, international law is frequently unable to create and sustain frameworks for peace in Africa. In Peacebuilding in the African Union, Abou Jeng explores the factors which have prevented such steps forward in the interaction between the international legal order and postcolonial Africa. In the first work of its kind, Jeng considers whether these limitations necessitate recasting the existing conceptual structure and whether the Constitutive Act of the African Union provides exactly this opportunity through its integrated peace and security framework. Through the case studies of Burundi and Somalia, Jeng examines the structures and philosophy of the African Union and assesses the capacity of its practices in peacemaking. In so doing, this book will be of great practical value to scholars and legal practitioners alike.
Cinema, Television and History
Including essays from established and up-and-coming scholars, Cinema, Television and History: New Approaches rethinks, recontextualises and reviews the relationship between cinema, television and history. This volume incorporates a wide range of methods to a variety of topics, welcoming both empirical and theoretical approaches, as well as studies which merge the two. It is a book about how historical events are interpreted and adapted across cinema and television as the basis of a story, as much as it is about the endeavours of the practising historian through the exploration of the archive. Divided into five parts—“New meanings, new methods”, “Re-contextualising cinema and television history”, “Rethinking histories of cinema and television”, “Rethinking history through cinema and television”, and “The impact of new technologies”—the book is knowingly broad and diverse in terms of the case studies featured within it, and the means through which these examples are examined, explored, and utilised in their respective chapters.
Joseph Cornell Versus Cinema
Joseph Cornell is one of the most significant American artists of the twentieth century. His work is highly visible in the the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied. However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined. In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of twentieth century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom.
World Film Locations: Rome
Rome is a city rich in history and culture and imbued with a realism and romanticism that has captured the imaginations of filmmakers throughout the twentieth and twenty-first centuries. With over two and a half thousand years of continuing history, Rome has served as the setting for countless memorable films, creating a backdrop that spans all genres and emotions. World Film Locations: Rome takes the reader on a cinematic journey through the city with stops at key locations that include the Pantheon, Piazza Navona, Via Veneto, Piazza del Popolo, Sant’Angelo Bridge and, of course, the Trevi Fountain, made famous world-wide in its appearances in Federico Fellini’s La Dolce Vita and Jean Negulesco’s Three Coins in the Fountain. A carefully selected compilation of forty-five key films set in Rome, including The Belly of an Architect, The Facts of Murder, The Bicycle Thief, Roman Holiday and The Great Beauty, is complemented by essays that further examine the relationship between the city and cinema to provide an engaging, colourful and insightful page-turning journey for both travellers and film buffs alike.
World Film Locations: São Paulo
São Paulo is the largest city in South America and the powerhouse of Brazil’s economy. A multi-racial metropolis with a diverse population of Asian, Arabic and European immigrants as well as migrants from other parts of Brazil, it is a global city with international reach. Films set in São Paulo often replace the postcard images of beautiful tropical beaches and laid-back lifestyles with working environments and the search for better opportunities. Bikinis and flip flops give way to urban subcultures, sport, entertainment and artistic movements. The ability to transcend national boundaries, and its resistance to stereotypical images of an 'exotic' Brazil, make São Paulo a fascinating location in which to explore Brazil’s changing economic and cultural landscapes.
World Film Locations: Singapore
A vibrant city and country nestled at the foot of the Malaysian peninsula, Singapore has long been a crossroads, a stopping point and a cultural hub where goods, inventions and ideas are shared and traded. Though Singapore was home to a flourishing Chinese and Malay film industry in the 1950s and 1960s, between independence in 1965 and the early 1990s, few movies were made in Singapore. A new era for cinema in the sovereign city-state started with the international recognition of Eric Khoo’s first features, followed by a New Wave comprised of graduates from local film schools. In recent years the Singapore film industry has produced commercially successful fare, such as the horror movie The Maid, as well as more artistic films like Sandcastle, the first Singaporean film to be selected for International Critic’s Week at Cannes and Ilo Ilo, which won the Caméra d’or at Cannes in 2013. Covering the myths that surround Singaporean film and exploring the realities of the movies that come from this exciting city, World Film Locations: Singapore introduces armchair travellers to a rich, but less known, national cinema
Directory of World Cinema: Australia and New Zealand 2
Building on and bringing up to date the material presented in the first instalment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries’ cinema. Essays by leading critics and film scholars consider the significance of the outback and the beach in films, which are evoked as a liminal space in Long Weekend and a symbol of death in Heaven’s Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel and Gillian Armstrong. Accompanying the critical essays in this volume are more than one hundred and fifty new film reviews, complemented by film stills and significantly expanded references for further study. From The Piano to Crocodile Dundee, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of a consistently fascinating national cinema.
Paranoid visions
Paranoid visions explores the history of the spy and conspiracy genres on British television, from 1960s Cold War series through 1980s conspiracy dramas to contemporary ‘war on terror’ thrillers. It analyses classic dramas including Tinker Tailor Soldier Spy, Edge of Darkness, A Very British Coup and Spooks. This book will be an invaluable resource for television scholars interested in a new perspective on the history of television drama and intelligence scholars seeking an analysis of the popular representation of espionage with a strong political focus, as well as fans of cult British television and general readers interested in British cultural history.
'Punto de Vista' and the Argentine Intellectual Left
This book is the first comprehensive account of the Argentine magazine Punto de Vista (1978–2008), a cultural review that gathered together prominent Argentine intellectuals throughout the last quarter of the twentieth century. Directed by cultural historian and public intellectual Beatriz Sarlo, the story of the magazine serves as a lens to study the evolution of Argentine intellectuals from the leftist mobilization of the 1960s through periods of military dictatorship and then the shifting politics of democratization in the 1980s and 1990s. The book argues that the way in which the Argentine intellectual left negotiated the political and cultural transformations of the late twentieth century can be understood as the history of two political defeats: that of the revolutionary utopias of the 1960s and 1970s and that of the social democrat project in the 1980s. By adopting an interdisciplinary approach, this book encompasses a wide range of debates taking place in Argentina, from the years prior to the dictatorship to the postdictatorship period.
