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More than four million Spaniards came to the Western Hemisphere between the mid-nineteenth century and the Great Depression. Unlike that of most other Europeans, their major destination was Argentina, not the United States. Studies of these immigrants—mostly laborers and peasants—have been scarce in comparison with studies of other groups of smaller size and lesser influence. Presenting original research within a broad comparative framework, Jose C. Moya fills a considerable gap in our knowledge of immigration to Argentina, one of the world's primary "settler" societies. Moya moves deftly between micro- and macro-analysis to illuminate the immigration phenomenon. A wealth of primary sources culled from dozens of immigrant associations, national and village archives, and interviews with surviving participants in Argentina and Spain inform his discussion of the origins of Spanish immigration, residence patterns, community formation, labor, and cultural cognitive aspects of the immigration process. In addition, he provides valuable material on other immigrant groups in Argentina and gives a balanced critique of major issues in migration studies.
Answering the calls made to overcome methodological nationalism, this volume is the first examination of the links between corruption and imperial rule in the modern world. It does so through a set of original studies that examine the multi-layered nature of corruption in four different empires (Great Britain, Spain, the Netherlands and France) and their possessions in Asia, the Caribbean, Latin America and Africa. It offers a key read for scholars interested in the fields of corruption, colonialism/empire and global history. The chapters ‘Introduction: Corruption, Empire and Colonialism in the Modern Era: Towards a Global Perspective’, ‘“Corrupt and rapacious”: Colonial Spanish-American past through the eyes of early nineteenth century contemporaries. A contribution from the history of emotions’, and ‘Colonial Normativity? Corruption in the Dutch-Indonesian Relationship in the Nineteenth and Early-Twentieth Centuries’ are Open Access under a CC BY 4.0 license at link.springer.com.
"Inventing the Sacred" analyzes the Spanish Inquisition's campaign to ferret out "false saints and scandalous impostors" whose claims of divinely inspired visions and revelations threatened the Catholic church's efforts to monopolize access to the supernatural.
'Black but Human' is a proverb which emerges from the African work songs and poems written by Afro-Hispanics enslaved in Spain during the Hapsburg dynasty. Carmen Fracchia uses the lens of visuals arts and material culture to understand the representation and self-representation of Afro-Hispanic slaves and ex-slaves in this period.
Throughout the Middle Ages, the Iberian Peninsula was home to a rich cultural mix of Christians, Jews, and Muslims. At the end of the fifteenth century, however, the last Islamic stronghold fell, and Jews were forced either to convert to Christianity or to face expulsion. Thousands left for other parts of Europe and Asia, eventually establishing Sephardic communities in Amsterdam, Venice, Istanbul, southwestern France, and elsewhere. More than a hundred years after the expulsion, some Judeoconversos—descendants of Spanish and Portuguese Jews who had converted to Christianity—were forced to flee the Iberian Peninsula once again to avoid ethnic and religious persecution. Many of them joine...
Early Modern Black Diaspora Studies brings into conversation two fields—Early Modern Studies and Black Studies—that traditionally have had little to say to each other. This disconnect is the product of current scholarly assumptions about a lack of archival evidence that limits what we can say about those of African descent before modernity. This volume posits that the limitations are not in the archives, but in the methods we have constructed for locating and examining those archives. The essays that make up this volume offer new critical approaches to black African agency and the conceptualization of blackness in early modern literary works, historical documents, material and visual cultures, and performance culture. Ultimately, this critical anthology revises current understandings about racial discourse and the cultural contributions of black Africans in early modernity and in the present across the globe.
It demonstrates that, even though Washington Irving's sojourn in Spain from 1826 until 1829 marked a distinct shift in the literary commodification of things Spanish, the transition from an enlightened to a romantic representation of Spain was a process triggered by a group of writers who produced Spanish travel narratives of lasting influence.
Since the early modern era, historians and observers of Spain, both within the country and beyond it, have identified a peculiarly Spanish disdain for work, especially manual labor, and have seen it as a primary explanation for that nation's alleged failure to develop like the rest of Europe. In "Lazy, Improvident People," the historian Ruth MacKay examines the origins of this deeply ingrained historical prejudice and cultural stereotype. MacKay finds these origins in the ilustrados, the Enlightenment intellectuals and reformers who rose to prominence in the late eighteenth century. To advance their own, patriotic project of rationalization and progress, they disparaged what had gone before....
The articles in the first part of this volume, two being a revised English version of an article originally in Spanish, examine the place of the city in the historical development of Castile. The focus is the social and economic history of Burgos, and the work is founded on detailed research in the archives of the area. Professor Ruiz also calls into question the long held belief in the democratic character of medieval Castilian municipal life. In the second section he opens the field of enquiry to deal with the controversial question of what impact the conquest of Seville and the subsequent settlement of al-Andalus had on the realm of Castile, looking in particular at demographic factors an...
Vico and Naples is an intellectual portrait of the Neapolitan philosopher Giambattista Vico (1668–1744) that reveals the politics and motivations of one of Europe’s first scientists of society. According to the commonplaces of the literature on the Neapolitan, Vico was a solitary figure who, at a remove from the political life of his larger community, steeped himself in the recondite debates of classical scholarship to produce his magnum opus, the New Science. Barbara Ann Naddeo shows, however, that at the outset of his career Vico was deeply engaged in the often-tumultuous life of his great city and that his experiences of civic crises shaped his inquiry into the origins and development...