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"Kwasi Wiredu is one of Africa's foremost philosophers, whose thinking on conceptual decolonization in contemporary African systems of thought is well known. Wiredu advocates a re-examination of current African epistemic formations in order to subvert unsavoury aspects of tribal cultures embedded in modern African thought, as well as deconstruct the unnecessary Western epistemologies to be found in African philosophical practices. In this book Sanya Osha argues that Wiredu's apparent schematism falls short as a viable project and suggests that because of the very hybridity of postcoloniality, projects seeking to retrieve the precolonial heritage are bound to be marred at several levels. Language itself presents a major problems which Wiredu's thesis does not fully address."--BOOK JACKET.
This book makes a bold announcement for the beginning of a postethnophilosophical phase in modern African thought. It re-considers the question: “What is African philosophy,” and introduces a strategy for setting a broad and productive agenda for contemporary African philosophical thought.
With forty accessible essays on the key intellectual contributions to Pan-Africanism, this volume offers readers a fascinating insight into the intellectual thinking and contributions to Pan-Africanism. The book explores the history of Pan-Africanism and quest for reparations, early pioneers of Pan-Africanism as well as key activists and politicians, and Pan-African philosophy and literati. Diverse and key figures of Pan-Africanism from Africa, the Caribbean, and America are covered by these chapters, including: Edward Blyden, W.E.B. Du Bois, Marcus Garvey, Amy Ashwood Garvey, George Padmore, Kwame Nkrumah, Franz Fanon, Amilcar Cabral, Arthur Lewis, Maya Angelou, C.L.R. James, Ruth First, Ali Mazrui, Wangari Maathai, Thabo Mbeki, Wole Soyinka, Derek Walcott, and Chimamanda Adichie. While acknowledging the contributions of these figures to Pan-Africanism, these essays are not just celebratory, offering valuable criticism in areas where their subjects may have fallen short of their ideals.
Paulin J. Hountondji is one of the most important and controversial figures in contemporary African philosophy. His critique of ethnophilosophy as a colonial, exoticising and racialized undertaking provoked contentious debates among African intellectuals on the proper methods and scope of philosophy and science in an African and global context since the 1970s. His radical pledge for scientific autonomy from the global system of knowledge production made him turn to endogenous forms of practising science in academia. The horizon of his philosophy is the quest for critical universality from a historical, and situated perspective. Finally, his call for a notion of culture that is antithetical t...
This humorous tale of the naïve and curious African student-cum-philosopher wandering between North and South, the rural and the urban, has been in gestation for a period of nearly two decades. With allusion to traditions of the philosophical novel and the picaresque, Nyamnjoh's protagonist travels from his African village to the sharply divided and socially cruel world of 1980s Britain. By casting aside his disillusion and the traps of servitude and victimhood, The Disillusioned African reveals his creative potential for curiosity and adventure. He brings a bird's eye view, always affectionate, gently mocking, to the cultural idiosyncrasies of the new world he encounters, which throws his ...
A “boisterous and high-spirited debut” (Kirkus starred review)“that enthralls the reader through their every twist and turn” (Publishers Weekly starred review), named one of the Most Anticipated Books for Brittle Paper, The Millions, and The Rumpus, penned by a finalist for the AKO Caine PrizeIn her powerful, genre-bending debut story collection, Nana Nkweti's virtuosity is on full display as she mixes deft realism with clever inversions of genre. In the Caine Prize finalist story “It Takes a Village, Some Say,” Nkweti skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In “The Devil Is a Liar,” a pregnant pastor's wife struggles with the collision of western Christianity and her mother's traditional Cameroonian belief system as she worries about her unborn child.In other stories, Nkweti vaults past realism, upending genre expectations in a satirical romp about a jaded PR professional trying to spin a zombie outbreak in West Africa, and in a mermaid tale about a Mami Wata who forgoes her power by remaining faithful to a fisherman she loves.
A Prospect Best Book of 2021 ‘A fascinating and timely book.’ William Boyd ‘Gripping…a must read.’ FT ‘Compelling…humane, reasonable, and ultimately optimistic.’ Evening Standard ‘[A] valuable guide to a complex narrative.’ The Times In 1897, Britain sent a punitive expedition to the Kingdom of Benin, in what is today Nigeria, in retaliation for the killing of seven British officials and traders. British soldiers and sailors captured Benin, exiled its king and annexed the territory. They also made off with some of Africa’s greatest works of art. The ‘Benin Bronzes’ are now amongst the most admired and valuable artworks in the world. But seeing them in the British Museum today is, in the words of one Benin City artist, like ‘visiting relatives behind bars’. In a time of huge controversy about the legacy of empire, racial justice and the future of museums, what does the future hold for the Bronzes?
The debate is no longer whether to use information and communication technologies (ICT) in education in Africa but how to do so, and how to ensure equitable access for teachers and learners, whether in urban or rural settings. This is a book about how Africans adopt and adapt ICT. It is also about how ICT shape African schools and classrooms. Why do we use ICT, or not? Do girls and boys use them in the same ways? How are teachers and students in primary and secondary schools in Africa using ICT in teaching and learning? How does the process transform relations among learners, educators and knowledge construction? This collection by 19 researchers from Africa, Europe, and North America, explo...
"A story of youth, dreams of innocence and transcendence told within a postcolonial setting. It follows Olu Ray, the main character of the novel, through a bitter-sweet journey of loss and self-realisation."--Back cover.
The first novel by a female author to be published in Cape Verde, and the first to be translated into English, The Madwoman of Serrano is a magical tale of rural ideals and urban ambition, underpinned by an exploration of female empowerment. Serrano is an isolated village where a madwoman roams. But is she really mad or is she marginalised because she is wise and a woman? Could her babbling be prophecy? One day a girl falls from the sky and is found in the forest by Jeronimo. The villagers are suspicious of the newcomer, but Jeronimo falls in love with her. When she gives birth and disappears, Jeronimo takes care of the child, naming her Filipa. Years later, estranged from Jeronimo after being taken from the village in mysterious circumstances, Filipa is a successful businesswoman in the city. Her memories of growing up in Serrano and her friendship with the madwoman become increasingly vivid. When the madwoman's warnings come true and Serrano's sheltered existence is threatened by plans to build a dam, Jeronimo heads for the city himself. Will he and Filipa finally be reunited?