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Past (Im)perfect Continuous. Trans-Cultural Articulations of the Postmemory of WWII presents an international and interdisciplinary approach to the comprehension of the postmemory of WWII, accounting for a number of different intellectual trajectories that investigate WWII and the Holocaust as paradigms for other traumas within a global and multidirectional context. Indeed, by exceeding the geographical boundaries of nations and states and overcoming contextual specificities, postmemory foregrounds continuous, active, connective, transcultural, and always imperfect representations of violence that engage with the alterity of other histories and other subjects. 75 years after the end of WWII, this volume is primarily concerned with the convergence between postmemory and underexamined aspects of the history and aftermath of WWII, as well as with several sociopolitical anxieties and representational preoccupations. Drawing from different disciplines, the critical and visual works gathered in this volume interrogate the referential power of postmemory, considering its transcultural interplay with various forms, media, frames of reference, conceptual registers, and narrative structures.
Like so many Holocaust survivors, Sami Modiano remained silent for many years, not talking about his life, his experiences and his long journey through the twentieth century. How could he speak about such deep pain? The loss of his entire family, and his Jewish community of Rhodes wiped from the face of the earth? With the enactment of racial laws he is suddenly considered different; he wakes up as a child like many others and goes to sleep as a Jew. From that moment nothing will be the same as before. Sami is sent to Auschwitz Birkenau where he loses all his loved ones. Alone in the world, he is subjected to but does not learn to practice the language of hatred and violence. He survives and...
The book provides a series of reflections on the study of architectural preexistences that have matured during the almost thirty-five years of study and research in Italy and Europe. Furthermore, it shows how the discipline of restoration of monuments is all based in architecture, intended in its many-faceted meanings. The methodical approach to the restoration of historic architecture consists in the historical-critical analysis, central nucleus of the study of architecture and is composed by specific in-depth thematic sessions (the historical iconography; the analysis of the constructive features; the constructive model; the volumetric layout; metrological and proportional analysis; the th...
This book gathers the contributions presented to the first edition of the Gaetano Morelli Lectures, held in the Spring of 2014 on “the Present and Future of Jus Cogens”. The first two Chapters reproduce the two general courses by Christian Tomuschat and by Pierre-Marie Dupuy. Two short Chapters, by Enzo Cannizzaro and by Beatrice Bonafé, address topics dealt with in the final seminar class.
How did Italy’s role of regional power develop? How did it change from national unification to the present day? This book examines the degree of influence exerted by Italy in its own geopolitical context, with special focus on Libya and the Horn of Africa. With the aid of different research methods and thanks to two exclusive interviews (H.E. Giulio Terzi di Sant'Agata and Gen. Vincenzo Ruggero Manca), this work traces the many stages that have characterized Italian foreign policy in its sphere of influence, its successes and its failures, from the country’s early colonial policies to the latest events. Images, graphics, maps and confidential documents further enrich the debate on one of the most ancient but controversial regional powers.
This book gathers peer-reviewed papers presented at the 3rd International and Interdisciplinary Conference on Image and Imagination (IMG), held in Milano, Italy, in November 2021. Highlighting interdisciplinary and multi-disciplinary research concerning graphics science and education, the papers address theoretical research as well as applications, including education, in several fields of science, technology and art. Mainly focusing on graphics for communication, visualization, description and storytelling, and for learning and thought construction, the book provides architects, engineers, computer scientists, and designers with the latest advances in the field, particularly in the context of science, arts and education.
Thanks to the digital revolution, even a traditional discipline like philology has been enjoying a renaissance within academia and beyond. Decades of work have been producing groundbreaking results, raising new research questions and creating innovative educational resources. This book describes the rapidly developing state of the art of digital philology with a focus on Ancient Greek and Latin, the classical languages of Western culture. Contributions cover a wide range of topics about the accessibility and analysis of Greek and Latin sources. The discussion is organized in five sections concerning open data of Greek and Latin texts; catalogs and citations of authors and works; data entry, collection and analysis for classical philology; critical editions and annotations of sources; and finally linguistic annotations and lexical databases. As a whole, the volume provides a comprehensive outline of an emergent research field for a new generation of scholars and students, explaining what is reachable and analyzable that was not before in terms of technology and accessibility.
This is the Proceedings of the International Congress of Graphic Design in Architecture, EGA 2018, held in Alicante, Spain, May 30-June 1, 2018. About 200 professionals and researchers from 18 different countries attended the Congress. This book will be of interest to researchers in the field of architecture and Engineering. Topics discussed are Innovations in Architecture, graphic design and architecture, history and heritage among others.