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Consists of 20 chapters in 2 parts; pt. 1 contains chapters on Aegean prehistory and the East and pt. 2 contains chapters on classical Greece, Etruria, and Rome.
Before the creation of the Agora as a civic center in the 7th century B.C., the region northwest of the Acropolis was a vast cemetery. Over 150 ancient burial places have been found by excavators, and a few of the more remarkable are described here. These range from a wealthy Mycenaean chamber tomb, filled with the vases and jewelry of a rich noblewoman, to the poignant pithos burial of an infant from around 725 B.C., accompanied by eight tiny vases. As well as describing the assemblages found, the author discusses the symbolism of funeral rites and the information about social status and identity that burials reveal.
The finds in the Athenian Agora from the Neolithic and Bronze Ages have added important chronological context to the earliest eras of Athenian history. The bulk of the items are pottery, but stone, bone, and metal objects also occur. Selected material from the Neolithic and from the Early and Middle Helladic periods is catalogued by fabric and then shape and forms the basis of detailed discussions of the wares (by technique, shapes, and decoration), the stone and bone objects, and their relative and absolute chronology. The major part of the volume is devoted to the Mycenaean period, the bulk of it to the cemetery of forty-odd tombs and graves with detailed discussions of architectural forms; of funeral rites; of offerings of pottery, bronze, ivory, and jewelry; and of chronology. Pottery from wells, roads, and other deposits as well as individual vases without significant context, augment the pottery from tombs as the basis of a detailed analysis of Mycenaean pottery. A chapter on historical conclusions deals with all areas of Mycenaean Athens.
A chronicle of the second 50 years in the life of the American School (originally founded in 1881). Conceived as a companion volume to Louis Lord's 1947 history of the first half century, the text outlines the activities of the School both in Greece and in the United States, beginning with an absorbing account of the affairs of the School during World War II and continuing through the Centennial in 1981, with chapters on the Summer Session, the School's excavations, its publications, and the Gennadeion. The extensive appendixes include lists of all the Trustees, Cooperating Institutions, members of the Managing Committee, staff, fellows, and members of the School since its inception in 1881, and add greatly to the usefulness of this volume. The author's first-hand knowledge of the people and events of the period discussed contributes materially to its depth and detail.
Biographies of twelve often-overlooked woman archaeologists
The truss adopts the rational configuration of the non-deformable triangle, optimizing the exploitation of the wooden members’ resistance resources. It is an extremely efficient structural typology that has gone through the centuries in its almost primitive configuration without substantial modifications, for which finding comparisons in the history of construction is difficult. But when was the truss born? This is the first general-interest book to address this question. Using scant but precious ancient literary documentation, the archaeological finds and the iconography of the figurative products that reproduce roofs, the book traces the gradual evolution process of the roof carpentry that led to such an invention. New hypotheses are advanced on the technical achievements of the main Mediterranean civilizations – Egyptian, Minoan and Mycenaean, Phrygian, Etruscan, Greek and Roman – in a broad and ambitious excursion that crosses the whole of Antiquity. The book is accompanied by a rich illustrative apparatus that includes historical and original photographs as well as numerous explanatory drawings.
The term "classical" is used to describe everything from the poems of Homer to entire periods of Greek and Roman antiquity. But just how did the concept evolve? This collection of essays by leading classics scholars from the United States and Europe challenges the limits of the current understanding of the term. The book seeks not to arrive at a final definition, but rather to provide a cultural history of the concept by exploring how the meanings of "classical" have been created, recreated, and rejected over time. The book asks questions that have been nearly absent from the scholarly literature. Does "classical" refer to a specific period of history or to the artistic products of that time...
Highlighting the interaction between myth and artist, word and image, Jacob Nyenthuis here presents a catalogue of these works, one that will enlighten Ayrton's British following while introducing him to an American audience."--BOOK JACKET.
This fascicle completes the presentation of the ceramic remains from the Franchthi Cave excavations.
Originally published under the title: God and goddesses of Old Europe, 7000-3500 B.C.