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Faking it
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book'...
A Conspiracy of Images
An important new look at Cold War art on both sides of the Atlantic
The Face of Mercy
A stunning and unforgettable portrait in words and picture of war's searing aftermath and the struggle to save lives.
News Art
An unexplored visual history of the melding of art, photography and journalism takes the reader back to the days before Photoshop and reveals how newspaper editors would doctor images for effect and intent. These images, from 1900-1960, illustrate the range of art enhancement, from outlining and airbrushing to complete overpainting with subjects ranging from crime scenes, world events and social personalities. Presenting original photographs in an area still open to dicovery and collecting, NEWS ART is a guide for collectors and curators.
Oncology Tumors & Treatment
A photographic history of oncology, from the collection of renowned physician and historian Stanley B. Burns.
Amen
Presents a multicultural collection of prayers from different faiths, including Christian, Jewish, Hindu, Islamic, Budhist, Taoist, Confucian, and Native American.
Getting the Picture
Powerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich and diverse history of news pictures in their many forms. For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournali...
Folk Art
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A Nimble Arc
While James Van Der Zee is widely known and praised for his studio portraits from the Harlem Renaissance era, much of the diversity and expansive reach of his work has been overlooked. From the major role his studio played for decades photographing ordinary people and events in the Harlem community to the inclusion of his photographs in the landmark Harlem on My Mind exhibition at the Metropolitan Museum of Art in 1969, Van Der Zee was a foundational Black photographer whose work illustrates the shifting ways photography serves as a constitutive force within Black life. In A Nimble Arc, Emilie Boone considers Van Der Zee’s photographic work over the course of the twentieth century, showing how it foregrounded aspects of Black daily life in the United States and in the larger African diaspora. Boone argues that Van Der Zee’s work exists at the crossroads of art and the vernacular, challenging the distinction between canonical art photographs and the kind of output common to commercial photography studios. Boone’s account recasts our understanding not only of this celebrated figure but of photography within the arc of quotidian Black life.
