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Shakespeare and Science Fiction is the first extended study of Shakespeare's influence on the genre. Sarah Annes Brown investigates why so many science fiction writers have turned to Shakespeare when imagining humanity's possible futures. He and his works become a kind of touchstone for the species in much science fiction, both transcending and exemplifying what it means to be human.
Ovid's "Metamorphoses" is one of the cornerstones of Western culture, the principal source for all the most famous myths of Greece and Rome, and a continuing inspiration for poets, composers and painters alike. This, inclusive account of this hugely important poem's influence on English literature, charts the reception of the poem over the course of six centuries from Chaucer's enigmatic "House of Fame" to Ted Hughes' "Tales from Ovid". As well as offering reassessments of works whose debt to Ovid has long been recognised, such as "The Tempest" and "Paradise Lost", Sarah Brown shows that Ovidianism is an even more complex and pervasive phenomenon in English literature than has previously been recognised, and may be found in the most unexpected places.
The impact of Ovid's Metamorphoses on our culture can hardly be overestimated. The poem is one of the most exciting and accessible classical texts, our key source for nearly all the famous myths of Greece and Rome. Sarah Annes Brown offers a lively, and sometimes provocative, introduction to the Metamorphoses, exploring the impact of recent critical developments and tracing its rich afterlife in both high and popular culture. The book's later chapters are devoted to five of the most memorable Ovidian stories - Apollo and Daphne, Actaeon, Philomela, Arachne and Pygmalion. Each subtle and elusive story is found to have generated a huge range of creative responses. The influence of the Pygmalion myth, for example, can be traced in Frankenstein, Vertigo and Blade Runner, as well as in the works of Chaucer and Shakespeare.
The plays of Shakespeare and his contemporaries has inspired interpretations in every genre and medium. This book offers perspectives on the ways in which practitioners have used Renaissance drama to address contemporary concerns and reach new audiences. It provides a resource for those interested in the creative reception of Renaissance drama.
Published with academic researchers and graduate students in mind, this volume of the 'Shakespeare Survey' presents a number of contributions on the theme of the play 'Macbeth'.
In this wide-ranging and ambitiously conceived Research Companion, contributors explore Shakespeare’s relationship to the classic in two broad senses. The essays analyze Shakespeare’s specific debts to classical works and weigh his classicism’s likeness and unlikeness to that of others in his time; they also evaluate the effects of that classical influence to assess the extent to which it is connected with whatever qualities still make Shakespeare, himself, a classic (arguably the classic) of modern world literature and drama. The first sense of the classic which the volume addresses is the classical culture of Latin and Greek reading, translation, and imitation. Education in the canon...
Shakespeare and the Classics demonstrates that the classics are of central importance in Shakespeare's plays and in the structure of his imagination. Written by an international team of Shakespeareans and classicists, this book investigates Shakespeare's classicism and shows how he used a variety of classical books to explore crucial areas of human experience such as love, politics, ethics and history. The book focuses on Shakespeare's favourite classical authors, especially Ovid, Virgil, Seneca, Plautus and Terence, and, in translation only, Plutarch. Attention is also paid to the humanist background and to Shakespeare's knowledge of Greek literature and culture. The final section, from the perspective of reception, examines how Shakespeare's classicism was seen and used by later writers. This accessible book offers a rounded and comprehensive treatment of Shakespeare's classicism and will be a useful first port of call for students and others approaching the subject.
Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies. Provides a comprehensive introduction and overview of classical reception - the interpretation of classical art, culture, and thought in later centuries, and the fastest growing area in classics Brings together 34 essays by an international group of contributors focused on ancient and modern reception concepts and practices Combines close readings of key receptions with wider contextualization and discussion Explores the impact of Greek and Roman culture worldwide, including crucial new areas in Arabic literature, South African drama, the history of photography, and contemporary ethics