Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Black-Man of Zinacantan
The subject of this work is anomalies—those things that are between one state and another, neither dead nor alive, neither animal nor human. In this instance, they are the "spooks" (espantos) that inhabit the Maya area: the charcoal-cruncher, a disembodied head that goes off into the night to eat charcoal; the characotels, men who have turned into animals in order to steal chickens; and others. The victims chosen by spooks are likewise between two states: they are caught while asleep or drunk; or they may be humans who ignore social conventions and behave in "un-human" manner. The Black-man of Zinacantan focuses on a small, super-sexed demon who possesses a six-foot-long, death-dealing pen...
A Portrait of the Artist, 1525-1825
Catalogue of an exhibition at the Museum of Fine Arts, Houston, Feb. 27-May 22, 2005; and at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y., Sept. 3, 2005-Jan. 1, 2006.
The Woman That Never Evolved
What does it mean to be female? Sarah Blaffer Hrdy--a sociobiologist and a feminist--believes that evolutionary biology can provide some surprising answers. Surprising to those feminists who mistakenly think that biology can only work against women. And surprising to those biologists who incorrectly believe that natural selection operates only on males. In The Woman That Never Evolved we are introduced to our nearest female relatives competitive, independent, sexually assertive primates who have every bit as much at stake in the evolutionary game as their male counterparts do. These females compete among themselves for rank and resources, but will bond together for mutual defense. They risk ...
Mary, Michael, and Lucifer
The physical signs of Roman Catholicism pervade the Mexican countryside. Colonial churches and neighborhood chapels, wayside shrines, and mountaintop crosses dot the landscape. Catholicism also permeates the traditional cultures of rural communities, although this ideational influence is less immediately obvious. It is often couched in enigmatic idiom and imagery, and it is further obscured by the vestiges of pagan customs and the anticlerical attitudes of many villagers. These heterodox tendencies have even led some observers to conclude that Catholicism in rural Mexico is little more than a thin veneer on indigenous practice. In Mary, Michael, and Lucifer John M. Ingham attempts to develop a modern semiotic and structuralist interpretation of traditional Mexican culture, an interpretation that accounts for the culture's apparent heterodoxy. Drawing on field research in Tlayacapan, Morelos, a village in the central highlands, he shows that nearly every domain of folk culture is informed with religious meaning. More precisely, the Catholic categories of spirit, nature, and evil compose the basic framework of the villagers' social relations and subjective experiences.
Chronicling Cultures
Some field sites have hosted anthropologists for as long as half a century. Chronicling Cultures collects articles from principals of many of the longest and best-known anthropology projects from four continents—the Kung, Harvard Chiapas Project, Gwembe Valley, Tzintzuntzan, and Navajo among others. These projects have brought a new understanding of change and persistence in communities over time. They have forced researchers to develop methods of involving local communities in research, of using data over generations of scholars, and of resolving ethical issues of research versus advocacy. The projects range from individual scholars who return 'home' year after year to large-scale institutionalized projects involving many researchers and numerous studies. This volume will be an important addition to the literature on fieldwork, on the history of ethnology, and on ethnographers' role in their host cultures.
