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Sarah Forbes Bonetta
Sarah Bonetta Forbes, 'Queen Victoria's African Princess', was rescued from Africa as a girl of seven after the slaughter of her family. Offered by King Gezo of Dahomey as a gift to the Queen, she was taken to England. Spending part of her childhood there and part back in Africa, she married Captain James Davies in 1862 and they settled in their native continent, where she became a teacher and died of tuberculosis at Madeira in 1880. Her story has rarely been told before by earlier biographers, or even noticed in lives of the Queen. It makes one of the most unusual, not to say fascinating, episodes in the annals of the British Victorian court.
Elspeth Hart and the School for Show-offs
Elspeth Hart and the School for Show-offsis the first adventure featuring the fabulous Elspeth Hart, a modern heroine with doodles on her trainers and unstoppable determination. Can you imagine never being allowed to play outside, dear reader? How about sleeping in a wardrobe every night? That's what life is like for Elspeth Hart. Ever since her parents were tragically washed away in a flood, poor Elspeth has been forced to live with her disgusting aunt, Miss Crabb, in the attic of the Pandora Pants School for Show-offs. Elspeth spends her days sweeping up mouse droppings, washing filthy pots and dodging Tatiana Firensky, the most horrible show-off of all. But what Elspeth doesn't know is that things are about to change... A fast-paced and funny story from a fresh new voice in children's fiction, Elspeth Hart's quirky adventures will delight fans of David Walliams, Lemony Snicket and Roald Dahl.
Sarah Forbes Bonetta
A powerful retelling of the extraordinary life of orphaned African princess, Sarah Forbes Bonetta.
Sex in the Museum
When Forbes, an anthropology student, stumbled upon a museum dedicated to sex she hesitated to apply for a job. Twelve years later she proudly sports her title as Curator of Sex. Here she invites readers to travel from suburban garages where men and women build sex machines, to factories that make sex toys, to labyrinthine archives of erotica collectors. She asks readers to grapple with the same questions she did: when it comes to sex, what is good, bad, deviant, normal? Do such terms even apply? And, in our hyper-sexualized world, is it still possible to fall in love?
Elspeth Hart and the Perilous Voyage
Now Elspeth is finally free of the School for Show-offs, she's on a desperate mission to find her parents. But she hasn't seen the last of Miss Crabb and her sidekick, the foul Gladys Goulash, and they're desperate for revenge.
Breaking the Maafa Chain
Salimatu and her sister Fatmata are captured, sold to slavers, renamed and split apart. Now Sarah and Faith, will these once inseparable sisters survive the traumas of their enslavement without each other? Or are the burdens of the wicked systems of slavery too much for their young hearts to bear?
At Her Majesty's Request
Myers pens this biography of an African princess saved from execution and taken to England where Queen Victoria oversaw her upbringing and where she lived for a time before marrying an African missionary.
Take Three Cooks
None
European Cinema
The survival of cinema in Europe and the analysis of its heritage are key issues for the new century. This book asks how we can define European cinema and how it should be studied. It provides an overview of the problems, traditions and key questions that have informed the study of European cinema, investigating the links and tensions between Europe and Hollywood and exploring the different experiences of national identities within a common European framework. Twelve case studies of individual European films ranging from The Battleship Potemkin and The Lodger, to La Haine and Trainspotting, illustrate the distinctiveness and variety of cinema in Europe as well as the various critical methods by which it can be studied. With its detailed analysis of films from several European countries including Britain and Russia, the book encourages a comparative approach and raises urgent questions about the future of European cinema in the context of globalization. It will be of interest to students in Film Studies, European Studies and Modern European Languages and Cultures.
