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Perspectives on Evil
The question of evil is one of the oldest and most intensely studied topics in intellectual history. In fiction, legend and mythology the boundary between good and evil is often depicted as clear-cut, at least to the reader or listener, who is supposed to understand such tales as lessons and warnings. Evil is something that must be avoided by the hero in some cases and vanquished in others; it is either the exact opposite of the expected good behaviour, or its complete absence. Even so, for the characters in these didactic fictions, it turns out to be deceptively easy to fall to the infernal, ‘dark’ side. This volume draws on the expertise of an interdisciplinary group of contributors to chart events and deeds of an ‘evil’ nature that have been lived in the (recent) past and have become part of history, from individual to institutionalised evil.
2015 U.S. Higher Education Faculty Awards, Vol. 1
Created by professors for professors, the Faculty Awards compendium is the first and only university awards program in the United States based on faculty peer evaluations. The Faculty Awards series recognizes and rewards outstanding faculty members at colleges and universities across the United States. Voting was not open to students or the public at large.
"The Useless Mouths" and Other Literary Writings
"The Useless Mouths" and Other Literary Writings brings to English-language readers literary writings--several previously unknown--by Simone de Beauvoir. Highlights of the volume include a new translation of the 1945 play The Useless Mouths, the unpublished 1965 short novel "Misunderstanding in Moscow," the fragmentary "Notes for a Novel," and an eagerly awaited translation of Beauvoir's contribution to a 1965 debate among Jean-Paul Sartre and other French writers and intellectuals, "What Can Literature Do?" The collection includes critical introductions by Meryl Altman, Elizabeth Fallaize, Alison S. Fell, Sarah Gendron, Dennis A. Gilbert, Laura Hengehold, Eleanore Holveck, Terry Keefe, J. Debbie Mann, Frederick M. Morrison, Catherine Naji, Justine Sarrot, Liz Stanley, Ursula Tidd, and Veronique Zaytzeff.
Beckett’s Imagined Interpreters and the Failures of Modernism
Samuel Beckett’s work is littered with ironic self-reflexive comments on presumed audience expectations that it should ultimately make explicable sense. An ample store of letters and anecdotes suggests Beckett’s own preoccupation with and resistance to similar interpretive mindsets. Yet until now such concerns have remained the stuff of scholarly footnotes and asides. Beckett’s Imagined Interpreters and the Failures of Modernism addresses these issues head-on and investigates how Beckett’s ideas about who he writes for affect what he writes. What it finds speaks to current understandings not only of Beckett’s techniques and ambitions, but also of modernism’s experiments as fundam...
Enemy Images in War Propaganda
In the post 9/11 world, the emotionally charged concepts of identity and ideology, enmity and political violence have once again become household words. Contrary to the serene assumptions of the early 1990s, history did not end. Civilisations are busy clashing against one another, and the self-proclaimed pacified humanity is once again showing its barbaric roots. Religion mixes with politics to produce governments that abuse even their own citizens, and victorious insurgents too often fail to carry out the promised reforms. Terrorists blow up unsuspecting pedestrians, and allegedly democratic nations threaten to bomb allegedly less democratic ones back to the Stone Age. Mass demonstrations m...
War, Peace and International Order?
Chapter 9 The Hague as a framework for British and American newspapers' public presentations of the First World War -- Notes -- Chapter 10 Norway's legalistic approach to peace in the aftermath of the First World War -- The Scandinavian proposal for an international judicial organisation -- Drafting the Permanent Court of International Justice's statute -- The establishment of the Permanent Court of International Justice -- Conclusion -- Notes -- Chapter 11 Against the Hague Conventions: Promoting new rules for neutralityin the Cold War -- The communist 're-discovery' of neutrality -- Attempts at reshaping neutrality in the Cold War era -- New rules for neutrals -- Conclusion -- Notes -- Chapter 12 The neutrals and Spanish neutrality: A legal approach to international peacein constitutional texts -- A commitment to peace -- (Re)defining neutrality in a system of collective security in the League of Nations era -- The law of war in an age of democracy -- Conclusions -- Notes -- Index
The Politics of Humiliation in the Novels of J.M. Coetzee
In this volume, Nashef looks at J.M. Coetzee's concern with universal suffering and the inevitable humiliation of the human being as manifest in his novels. Though several theorists have referred to the theme of human degradation in Coetzee’s work, no detailed study has been made of this area of concern especially with respect to how pervasive it is across Coetzee’s literary output to date. This study examines what J.M. Coetzee's novels portray as the circumstances that contribute to the humiliation of the individual--namely the abuse of language, master and slave interplay, aging and senseless waiting--and how these conditions can lead to the alienation and marginalization of the individual.
Perla
"Perla is the story of a woman who lived through the horrors of the Holocaust and would ultimately die unable to extricate herself from its corrosive memory. It is told from the point of view of her son, who, not long after losing her, learns that he is about to become a father. These two events become the impetus for reconstructing Perla's past and for understanding gestation, as he's equally in the dark about what happened in his mother's life and what is taking place in his wife's womb. Strangely, at this time he finds himself drawn to the poets Novalis, Holderlin, and Schlegel, and the painter Caspar David Friedrich--founders of German romanticism who strove to capture the spiritual essence of the world. With and through them, he seeks peace and grapples with the question: How could Germany produce both the purest poetry and the most complete barbarity? Winner of France's Goncourt Prize for a first novel, Frederic Brun's semiautobiographical novel considers the seemingly irreconcilable multiplicities of life--past and present, personal and collective, self and other, life and death."--
Repetition and International Law
An exploration of the dialectical role of repetition in international law, building on insights from philosophy, sociology, theatre and film.
