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A MAJOR FICTION DEBUT, THIS REMARKABLE IRISH NOVEL ABOUT THE MESSINESS OF MODERN FAMILY LIFE COMES WITH PRAISE FROM MEG MASON TO ANNE ENRIGHT __________ AN IRISH TIMES TOP TEN BESTSELLER SHORTLISTED FOR THE IRISH BOOK AWARDS NEWCOMER OF THE YEAR 'Gilmartin is clearly a writer to watch' Clare Chambers 'The search is off - here is our next read. Here is an expert writer' Meg Mason 'Sarah Gilmartin gives us terrific, complex characters and strong themes, in prose that is charged with insight' Anne Enright __________ Kate has taught herself to be careful, to be meticulous. To mark the anniversary of a death in the family, she plans a dinner party - from the fancy table settings to the perfect Ba...
'Intriguing' – Sunday Times 'A rousing read' – Irish Times 'A bright light of Francophone feminism' – New York Times Renowned journalist Mona Chollet recasts the witch as a powerful role model: an emblem of strength, free to exist beyond the narrow limits society imposes on women. Taking three archetypes from historic witch hunts – independent women, women who avoid having children and women who embrace ageing – Chollet examines how women today have the same charges levelled against them. She calls for justice in healthcare, challenging the gender imbalance in science and questioning why female bodies must still controlled by men. Rich with popular culture, literary references and media insights, In Defence of Witches is a vital addition to the cultural conversation around women, witches and the misogyny that has shaped the world they live in. With a foreword by Carmen Maria Machado and translated from French by Sophie R. Lewis.
WINNER OF THE ROONEY PRIZE 2018 A modern Irish literary gem for anyone who has felt like the odd one out. ‘Inventive, funny and, ultimately, moving’ GUARDIAN ‘Wildly funny’ THE NEW YORK TIMES BOOK REVIEW ‘Beguiling’ THE IRISH TIMES ‘Delightfully quirky’ THE IRISH INDEPENDENT
We are all more than the sum of our parts... Fans of Louise O'Neill and V.E. Schwab will delight in Sarah Maria Griffin's stunning science-fiction story of creation in the wake of destruction. Nell Crane has never held a boy's hand. In a city devastated by an epidemic, where survivors are all missing parts—an arm, a leg, an eye—Nell has always been an outsider. Her father is the famed scientist who created the biomechanical limbs that everyone now uses. But she's the only one with her machinery on the inside: her heart. Since the childhood operation, she has ticked. Like a clock, like a bomb. And as her community rebuilds, everyone is expected to contribute to the society's good . . . bu...
After a sudden, devastating loss, Mara flees her family and ends up adrift in a wealthy coastal town. Mired in her grief, Mara's first few days are spent alone, surviving on what scraps of food she can find, and swimming at night in the ocean. When her money runs out and the tourist season comes to a close, Mara finds a job in a local wine store and meets its owner, Simon, a man whose loneliness she immediately recognises as a mirror to her own. As Mara dances around her growing attraction to Simon, she is forced to reckon with both her present desires and her past errors, and with the compulsion she feels to both make and unmake herself. Tides is a spare, visceral portrait of a woman nearly pulled under by loss and desire. It is an unforgettable introduction to a debut writer of uncommon literary power.
'The exhausting and exhilarating life of a high-end restaurant is beautifully recreated in this masterful novel... A writer correctly confident in her recipe' Irish Independent 'A hugely gripping literary page-turner. Sharp, visceral and shocking' Claire Powell When Hannah learns that star chef Daniel Costello is facing accusations of sexual assault, she's thrown back to her summer waitressing at his high-end Dublin restaurant. A glamorous world of talent and testosterone, where attention from Daniel morphed into something darker... Now the restaurant is shuttered and Daniel is faced with the reality of the courtroom. His wife Julie is hiding from paparazzi lenses behind the bedroom curtains...
'A gripping, wonderfully understated book that oozes humanity, emotion and humour.' Guardian Winner of the 2020 Butler Literary Award Shortlisted for the Edge Hill Prize 2019 Shortlisted for the Republic of Consciousness Prize 2019 Longlisted for the Gordon Burn Prize and the Sunday Times Audible Short Story Award 2019 ‘Wendy Erskine’s first collection, Sweet Home . . . is every bit as good as her early stories in the always astute Stinging Fly magazine promised.’ Jon McGregor, New Statesman Set in the author’s native Belfast, the ten stories in Sweet Home lay bare the heartbreak and quiet tragedies that run under the surface of everyday lives. A lonely woman is fascinated by her niq...
'A tangled, gnarled, wonderfully original, strange, beautiful beast of a book' DAISY JOHNSON, author of Everything Under 'Beautiful and terrifying' SUNDAY TIMES 'Seethingly assured debut fuses magical realism with critical and feminist theory' GUARDIAN In house in a wood, Ada and her father live peacefully, tending to their garden and the wildlife in it. They are not human though. Ada was made by her father from the Ground, a unique patch of earth with birthing and healing properties. Though perhaps he didn’t get her quite right. They spend their days healing the local human folk – named Cures - who visit them, suspiciously, with their ailments. When Ada embarks on a relationship with a ...
A single mother, Vibeke, and her son Jon, have just moved to a small, remote town in the north of Norway. It is the day before Jon's birthday, but Vibeke, preoccupied with concerns of her own, has forgotten this. With a man on her mind, she ventures to the local library and then a fairground, while Jon goes out to sell lottery tickets for his sports club. We follow the two characters on their separate journeys through a cold winter's night as Orstavik weaves together their two separate worlds - a sense of uneasiness grows.