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A MAJOR FICTION DEBUT, THIS REMARKABLE IRISH NOVEL ABOUT THE MESSINESS OF MODERN FAMILY LIFE COMES WITH PRAISE FROM MEG MASON TO ANNE ENRIGHT __________ AN IRISH TIMES TOP TEN BESTSELLER SHORTLISTED FOR THE IRISH BOOK AWARDS NEWCOMER OF THE YEAR 'Gilmartin is clearly a writer to watch' Clare Chambers 'The search is off - here is our next read. Here is an expert writer' Meg Mason 'Sarah Gilmartin gives us terrific, complex characters and strong themes, in prose that is charged with insight' Anne Enright __________ Kate has taught herself to be careful, to be meticulous. To mark the anniversary of a death in the family, she plans a dinner party - from the fancy table settings to the perfect Ba...
'Intriguing' – Sunday Times 'A rousing read' – Irish Times 'A bright light of Francophone feminism' – New York Times Renowned journalist Mona Chollet recasts the witch as a powerful role model: an emblem of strength, free to exist beyond the narrow limits society imposes on women. Taking three archetypes from historic witch hunts – independent women, women who avoid having children and women who embrace ageing – Chollet examines how women today have the same charges levelled against them. She calls for justice in healthcare, challenging the gender imbalance in science and questioning why female bodies must still controlled by men. Rich with popular culture, literary references and media insights, In Defence of Witches is a vital addition to the cultural conversation around women, witches and the misogyny that has shaped the world they live in. With a foreword by Carmen Maria Machado and translated from French by Sophie R. Lewis.
We are all more than the sum of our parts... Fans of Louise O'Neill and V.E. Schwab will delight in Sarah Maria Griffin's stunning science-fiction story of creation in the wake of destruction. Nell Crane has never held a boy's hand. In a city devastated by an epidemic, where survivors are all missing parts—an arm, a leg, an eye—Nell has always been an outsider. Her father is the famed scientist who created the biomechanical limbs that everyone now uses. But she's the only one with her machinery on the inside: her heart. Since the childhood operation, she has ticked. Like a clock, like a bomb. And as her community rebuilds, everyone is expected to contribute to the society's good . . . bu...
After a sudden, devastating loss, Mara flees her family and ends up adrift in a wealthy coastal town. Mired in her grief, Mara's first few days are spent alone, surviving on what scraps of food she can find, and swimming at night in the ocean. When her money runs out and the tourist season comes to a close, Mara finds a job in a local wine store and meets its owner, Simon, a man whose loneliness she immediately recognises as a mirror to her own. As Mara dances around her growing attraction to Simon, she is forced to reckon with both her present desires and her past errors, and with the compulsion she feels to both make and unmake herself. Tides is a spare, visceral portrait of a woman nearly pulled under by loss and desire. It is an unforgettable introduction to a debut writer of uncommon literary power.
WINNER OF THE ROONEY PRIZE 2018 A modern Irish literary gem for anyone who has felt like the odd one out. ‘Inventive, funny and, ultimately, moving’ GUARDIAN ‘Wildly funny’ THE NEW YORK TIMES BOOK REVIEW ‘Beguiling’ THE IRISH TIMES ‘Delightfully quirky’ THE IRISH INDEPENDENT
'Crushing...intensely vital' Observer 'It's impossible to tear yourself away' The Times 'Such brilliant writing about female desire...honest and visceral' Marian Keyes She's twenty-three and in love with love. He's older, and the most beautiful man she's ever seen. The affair is quickly consuming. But this relationship is unpredictable, and behind his perfect looks is a mean streak. She's intent on winning him over, but neither is living up to the other's ideals. He keeps emailing his thin, glamorous ex, and she's starting to give in to secret, shameful cravings of her own. The search for a fix is frantic, and taking a dangerous turn... We're all looking to get what we want - but do we know what we need?
Two lives in danger – her lover's and her sister's. But she must choose only one. In 1913, young Irish emigrant Eva Downey is trapped in London with a remote father and hostile stepmother. When she is awarded a legacy from an old suffragette to attend a finishing school in Kent, she jumps at the chance. At the school, she finds kinship and later falls in love with her teacher Christopher Shandlin, her intellectual equal. But when war does break out, her fanatical and disapproving stepsister Grace forces a choice on Eva. She must present Shandlin, who refuses to fight, with a white feather of cowardice, or no money will be given for her sister Imelda's life-saving treatment in Switzerland. Caught in a dilemma, she chooses her sister over her lover, a decision which will have irrevocable consequences for both her and Christopher and haunt her for the rest of her life.
A single mother, Vibeke, and her son Jon, have just moved to a small, remote town in the north of Norway. It is the day before Jon's birthday, but Vibeke, preoccupied with concerns of her own, has forgotten this. With a man on her mind, she ventures to the local library and then a fairground, while Jon goes out to sell lottery tickets for his sports club. We follow the two characters on their separate journeys through a cold winter's night as Orstavik weaves together their two separate worlds - a sense of uneasiness grows.
'A tangled, gnarled, wonderfully original, strange, beautiful beast of a book' DAISY JOHNSON, author of Everything Under 'Beautiful and terrifying' SUNDAY TIMES 'Seethingly assured debut fuses magical realism with critical and feminist theory' GUARDIAN In house in a wood, Ada and her father live peacefully, tending to their garden and the wildlife in it. They are not human though. Ada was made by her father from the Ground, a unique patch of earth with birthing and healing properties. Though perhaps he didn’t get her quite right. They spend their days healing the local human folk – named Cures - who visit them, suspiciously, with their ailments. When Ada embarks on a relationship with a ...