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Indecent Exposures
Photographer Eadweard Muybridge (1830–1904), often termed the father of the motion picture, presented his iconic Animal Locomotion series in 1887. Produced under the auspices of the University of Pennsylvania and encompassing thousands of photographs of humans and animals in motion, the series included more than 300 plates of nude men and women engaged in activities such as swinging a baseball bat, playing leapfrog, and performing housework—an astonishing fact given the period’s standards of propriety. In the first sustained examination of these nudes and the remarkable success of their production, wide circulation, and reception, Indecent Exposures positions this revolutionary enterprise as central to crucial advancements of the modern era. Muybridge’s nudes ushered in new attitudes toward science and progress, including Darwinian ideas about human evolution and hierarchy; quickened debates over the role of photography and scientific investigation in art; and offered innovative perspectives on the human body. This fascinating story is copiously illustrated, and includes many lesser-known photographs published here for the first time.
"Make it Yourself"
Through home sewing, Sarah A. Gordon examines domestic labor, marketing practices, changing standards of femininity, and understandings of class, gender, and race from 1890 to 1930. As ready-made garments became increasingly available due to industrialization, many women, out of necessity or choice, continued to make their own clothing. In doing so, women used a customary female skill both as a means of supporting traditional ideas and as a tool of personal agency. The shifting meanings of sewing formed a contested space in which businesses promoted sewing machines as tools for maintaining domestic harmony, women interpreted patterns to suit-or flout-definitions of appropriate appearances, a...
Flannery O'Connor
Disturbing, ironic, haunting, brutal. What inner struggles led Flannery O’Connor to create fiction that elicits such labels? Much of the tension that drives O’Connor’s writing, says Sarah Gordon, stems from the natural resistance of her imagination to the obedience expected by her male-centered church, society, and literary background. Flannery O’Connor: The Obedient Imagination shows us a writer whose world was steeped in male presumption regarding women and creativity. The book is filled with fresh perspectives on O’Connor’s Catholicism; her upbringing as a dutiful, upper-class southern daughter; her readings of Thurber, Poe, Eliot, and other arguably misogynistic authors; and ...
The Lost Thing
None
Dead Miraculous
None
Hitler, Germans, and the "Jewish Question"
Errata slip inserted. Includes index. Bibliography: p. 389-405.
Medical Judgment
Heart-thumping suspense and intrigue--just what the doctor ordered.
Stuart's Tarheels
When Confederate Major General J.E.B. Stuart said "North Carolina has done nobly in this army," he had one of his own men to thank: Brigadier General James Byron Gordon. A protege of Stuart, Gordon was the consummate nineteenth-century landowner, politician, and businessman. Despite a lack of military training, he rose rapidly through the ranks and, as the commander of all North Carolina cavalrymen in the Army of Northern Virginia, he helped bring unparalleled success to Stuart's famed Confederate cavalry. This updated biography, originally published in 1996, chronicles Gordon's early life and military career and, through his men, takes a fresh look at the vaunted Army of Northern Virginia--its battles, controversies, and troops. This second edition includes additional source material that has come to light and a roster of Gordon's 1st North Carolina Cavalry.
