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Through the Looking Glass
Through the Looking Glass provides readers with an informative record of the exhibition of self-portraits by Ana Mendieta, Carrie Mae Weems, and other leading women artists, held in 2003 at the Palmer Museum of Art as part of the Women's Self-Representation Project at The Pennsylvania State University. Fully illustrated, this catalogue enables readers to revisit the provocative juxtaposition of Yayoi Kusama's Multi-Fabrics and Alba d'Urbano's Couture, or Martha Rosler's Semiotics of the Kitchen and several of Cindy Sherman's famed Film Stills. An essay by Sarah Rich addresses important questions about women's use of self-portraiture. How, for example, does self-representation by women engage with narcissism, a long-time trait long ascribed to the stereotypical &"woman&"? To what extent is gender a necessary element in women's self-portraiture?
All the Perverse Angels
Anna, an art curator, leaves a psychiatric hospital and finds herself in an English village, sharing a rented cottage with her partner. Seeking refuge from the aftermath of past infidelities, she constructs a personal reality from the brushstrokes and histories of her favourite artworks. A chance discovery in the cottage's attic leads Anna on a journey back to the late nineteenth century and the complicated relationships of two women studying at Oxford University. As Anna's investigations blend with the students' story, and the threads of her life intertwine with those of a century earlier, she finds a way to run ever farther from her pain. But the past is not all it seems, and Anna's escape routes are taken from her, one by one, until she must face the truth of her present. All the Perverse Angels is a breathtaking novel about the nature of loss and the confusion of love, about the stories we are told and the stories we tell ourselves.
Love and Loss
"Most often, portrait miniatures were painted in watercolor on thin disks of ivory. They were sometimes worn as jewelry, sometimes framed to be viewed privately. Many were painted by specialists, although renowned easel artists - including Benjamin West, John Singleton Copley, and Charles Willson Peale - also created them to commemorate births, engagements, marriages, deaths, and other joinings or separations. The book traces the development of this exquisite art form, revealing the close ties between the history of the miniature and the history of American private life."--BOOK JACKET.
Adventures of the Black Square
Exploring how the universal visual language of geometric abstraction was influenced by different societies, this volume also demonstrates how the movement's revolutionary aesthetic continues to impact culture around the globe. It traces a century of abstract art from 1915 to the present day, celebrating the accomplishments of both men and women and includes sculpture, film, photography and painting. Organised around four distinct themes - communication, architectonics, utopia and everyday life - the book presents a chronological survey from Russia to Europe, the Middle East, Southeast Asia, Central America, Africa, South America, and the US. Each of the 100 works is featured in double-page spreads with brief artist biographies. Essays by Tanya Barson, Briony Fer, Tom McDonough, and Joshua Jiang, contextualize the various geographic and aesthetic stages of the development of geometric abstraction.
Saving Abstraction
In this book, author Ryan Dohoney tells the story of the 1972 premier of Morton Feldman's music for the Rothko Chapel in Houston, reconstructing the network of artists and patrons who contributed to the premier, and documenting the ways that they questioned the emotional translation of art into religious stimulation.
Welcome to Painterland
The Rat Bastard ProtectiveÊAssociation was an inflammatory, close-knit community of artists who livedÊand worked in aÊbuilding they dubbed Painterland in the Fillmore neighborhood of midcentury San Francisco. The artists who counted themselves among the RatÊBastardsÑwhich included Joan Brown, Bruce Conner, Jay DeFeo,ÊWallyÊHedrick, Michael McClure, and Manuel NeriÑexhibited a unique fusion of radicalism,Êprovocation, and community. Geographically isolated from a viable art market and refusingÊto conform to institutional expectations, theyÊanimated broader social andÊartistic discussions through their work and became aÊtransformative part of American culture over time. Anastasia Aukeman presents new and little-known archival material in this authorized account of these artists and their circle, a colorful cultural milieu that intersected with the broader Beat scene.
Uncanny Congruencies
Uncanny Congruencies investigates elliptical collisions of association and meaning and offers a nuanced dialogue with its audiences through the seemingly contradictory processes of 18 remarkable alumni of Penn State's School of Visual Arts. The works of these artists intersect, reverse and overlap one another in surprising and satisfying ways.
Seeing Rothko
I am interested only in expressing basic human emotions - tragedy, ecstasy, doom, - Mark Rothko (1903 - 1970) said of his paintings. If you are moved only by their colour relationships, then you miss the point. Throughout his career, Rothko was concerned with what other people experienced when they looked at his canvases. As his work shifted from figurative imagery to luminous fields of colour, his concern expanded to the setting in which his paintings were exhibited.
Spiritual Moderns
Examines how and why religion matters in the history of modern American art. Andy Warhol is one of the best-known American artists of the twentieth century. He was also an observant Catholic who carried a rosary, went to mass regularly, kept a Bible by his bedside, and depicted religious subjects throughout his career. Warhol was a spiritual modern: a modern artist who appropriated religious images, beliefs, and practices to create a distinctive style of American art. Spiritual Moderns centers on four American artists who were both modern and religious. Joseph Cornell, who showed with the Surrealists, was a member of the Church of Christ, Scientist. Mark Tobey created pioneering works of Abstract Expressionism and was a follower of the Bahá’í Faith. Agnes Pelton was a Symbolist painter who embraced metaphysical movements including New Thought, Theosophy, and Agni Yoga. And Warhol, a leading figure in Pop art, was a lifelong Catholic. Working with biographical materials, social history, affect theory, and the tools of art history, Doss traces the linked subjects of art and religion and proposes a revised interpretation of American modernism.
Totality
An original and ambitious approach to understanding the creative achievements of one of the most important American artists of the twentieth century. Totality offers a deeply researched and thoughtful account of the art of Barnett Newman (1905–1970). While Newman’s paintings are widely regarded as among the most significant statements of abstract expressionism—and emblematic of modernism at midcentury—they pose distinct challenges to formal description and historical evaluation. With this book, Michael Schreyach guides readers toward a transformed understanding of Newman’s profound body of work. Through a sequence of close readings, Schreyach examines six key terms—symbol, surface, self-evidence, space, standpoint, and scale—that illuminate the meaning of Newman’s claims for the “metaphysical” content of his art. Totality progresses from the meticulous analysis of the technical structure and visual appearance of specific works to critical and archivally documented arguments about Newman’s intentions. The result is an altogether original interpretation of the artist’s enterprise, as surprising as it is nuanced.
