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Ireland possesses an early and exceptionally rich medieval vernacular tradition in which memory plays a key role. What attitudes to remembering and forgetting are expressed in secular early Irish texts? How do the texts conceptualise the past and what does this conceptualisation tell us about the present and future? Who mediates and validates different versions of the past and how is future remembrance guaranteed? This study approaches such questions through close readings of individual texts. It centres on three major aspects of medieval Irish memory culture: places and landscapes, the provision of information about the past by miraculously old eye-witnesses, and the personal, social and cu...
This book addresses a little-considered aspect of the study of the history of emotions in medieval literature: the depiction of perplexing emotional reactions. Medieval literature often confronts audiences with displays of emotion that are improbable, physiologically impossible, or simply unfathomable in modern social contexts. The intent of such episodes is not always clear; medieval texts rarely explain emotional responses or their motivations. The implication is that the meanings communicated by such emotional display were so obvious to their intended audience that no explanation was required. This raises the question of whether such meanings can be recovered. This is the task to which the contributors to this book have put themselves. In approaching this question, this book does not set out to be a collection of literary studies that treat portrayals of emotion as simple tropes or motifs, isolated within their corpora. Rather, it seeks to uncover how such manifestations of feeling may reflect cultural and social dynamics underlying vernacular literatures from across the medieval North Sea world.
The Secret in Medieval Literature explores the many secret agents, actions, creatures, and other beings influencing human existence. Medieval poets had a clear sense of the alternative dimension (the secret) and allowed it to enter quite frequently into their texts.
Bodies and their role in cultural discourse have been a constant focus in the humanities and social sciences in recent years, but comparatively few studies exist about Old Norse-Icelandic or early Irish literature. This study aims to redress this imbalance and presents carefully contextualised close readings of medieval texts. The chapters focus on the role of bodies in mediality discourse in various contexts: that of identity in relation to ideas about self and other, of inscribed and marked skin and of natural bodily matters such as defecation, urination and menstruation. By carefully discussing the sources in their cultural contexts, it becomes apparent that medieval Scandinavian and early Irish texts present their very own ideas about bodies and their role in structuring the narrated worlds of the texts. The study presents one of the first systematic examinations of bodies in these two literary traditions in terms of body criticism and emphasises the ingenuity and complexity of medieval texts.
A cultural history of a reddish, much-loved shrub, sometimes called mountain ash or dogberry. Rowan is the first in-depth natural and cultural history of this much-loved plant sometimes called mountain ash or dogberry. Through myth, medicine, literature, land art, and contemporary rewilding, Oliver Southall uncovers the many meanings of this singular reddish, fruit shrub: a potent symbol of nostalgia on the one hand and of environmental activism on the other. Taking the reader on an eclectic journey across history, Rowan charts our changing relationships with nature and landscape, raising urgent questions about how we value and relate to the non-human world.
Draws on Old Norse literary heritage to explore questions of emotion as both a literary motif and as a social phenomenon.
The medieval northern world consisted of a vast and culturally diverse region both geographically, from roughly Greenland to Novgorod and culturally, as one of the last areas of Europe to be converted to Christianity. Old Norse Folklore explores the complexities of thisfascinating world in case studies and theoretical essays that connect orality and performance theory to memory studies, and myths relating to pre-Christian Nordic religion to innovations within late medieval pilgrimage song culture. Old Norse Folklore provides critical new perspectives on the Old Norse world, some of which appear in this volume for the first time in English. Stephen A. Mitchell presents emerging methodologies by analyzing Old Norse materials to offer a better understandings ofunderstanding of Old Norse materials. He examines, interprets, and re-interprets the medieval data bequeathed to us by posterity—myths, legends, riddles, charms, court culture, conversion narratives, landscapes, and mindscapes—targeting largely overlooked, yet important sources of cultural insights.
Die globale, von Menschenhand bewirkte Klima- und Biodiversitätskrise hat trotz eindringlicher Mahnungen vor bereits 50 Jahren ein bedrohliches Ausmaß erreicht. Die Erderwärmung verursacht schon heute weit verbreitete Störungen in der Natur und richtet verheerende Schäden in Meeres-, Land- und Süßwasserökosystemen an. Es gibt keinen Ort auf der Erde, der nicht von Klimagefahren wie Hitzewellen, Dürren, Überschwemmungen und dem Anstieg des Meeresspiegels bedroht ist. Der Verlust der Artenvielfalt und der Klimawandel sind eng miteinander verknüpft. Schwerwiegende Auswirkungen auf die Gesundheit der Menschen weltweit sind die Folgen. Dem kann und muss jedoch entgegengewirkt werden! F...