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The Role of Naqia/Zakutu in Sargonid Politics
There are more sources for Naqia/Zakutu, the mother of Esarhaddon and grandmother of Assurbanipal, than for all other Sargonid royal women combined. This work constitutes a reevaluation of these sources with an eye to determining which of the modern myths about this woman are supported by the sources and which are mere speculation. Specific suggestions about the part played by Naqia/Zakutu in her son's overall plan for his empire are linked to form a coherent picture of her role as queen mother.
It's a London Thing
This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture. It conceives of the linked scenes around black music in London, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s, as demonstrating enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.
Lineage Book
Includes inclusive "Errata for the Linage book."
An Introduction to Akkadian Literature
This book initiates the reader into the study of Akkadian literature from ancient Babylonia and Assyria. With this one relatively short volume, the novice reader will develop the literary competence necessary to read and interpret Akkadian texts in translation and will gain a broad familiarity with the major genres and compositions in the language. The first part of the book presents introductory discussions of major critical issues, organized under four key rubrics: tablets, scribes, compositions, and audiences. Here, the reader will find descriptions of the tablets used as writing material; the training scribes received and the institutional contexts in which they worked; the general chara...
Knowledge and Rhetoric in Medical Commentary
Knowledge and Rhetoric in Medical Commentary is intended for historians of medicine and interpretation, and explores the dynamic between scholastic rhetoric and medical knowledge in ancient commentaries on a Mesopotamian Diagnostic Handbook. In line with commentators’ self-fashioning as experts of diverse disciplines, commentaries display intertextuality involving a variety of lexical, astronomical, religious, magic, and literary compositions, while employing patterns of argumentation that resist categorization within any single branch of knowledge. Commentators’ choices of topics and comments, however, sought to harmonize atypical language and ideas in the Handbook with conventional ways of perceiving and describing the sick body in therapeutic recipes. Scholastic rhetoric—supposedly unfettered to any discipline—served in fact as a pretext for affirming current forms of medical knowledge.
Gilgamesh
A poem for the ages, freshly and accessibly translated by an international rising star, bringing together scholarly precision and poetic grace Gilgamesh is a Babylonian epic from three thousand years ago, which tells of King Gilgamesh’s deep love for the wild man Enkidu and his pursuit of immortality when Enkidu dies. It is a story about love between men, loss and grief, the confrontation with death, the destruction of nature, insomnia and restlessness, finding peace in one’s community, the voice of women, the folly of gods, heroes, and monsters—and more. Millennia after its composition, Gilgamesh continues to speak to us in myriad ways. Translating directly from the Akkadian, Sophus Helle offers a literary translation that reproduces the original epic’s poetic effects, including its succinct clarity and enchanting cadence. An introduction and five accompanying essays unpack the history and main themes of the epic, guiding readers to a deeper appreciation of this ancient masterpiece.
The British Drama
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