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You definitely want to f*ck her but you don't want to know her. You certainly don't want to stay for breakfast... Sarah Milton's new one-woman play tells the story of one woman's immediate response to a sexual assault, fueled by a toxic friendship and crisis of identity. Two best friends are heading out for the night. Our protagonist, known as 'She', is hoping to win over her crush – Isaac the bartender, at their favourite joint. That night, her best friend Trixie decides to invite a group of men home that she fancies, promoting She as her sexy, obtainable friend, to help seal the deal. But when She wakes up the next day, confused, sore, laid next to a man she doesn't recognise, She is forced to re-evaluate everything she thinks she knows about her friendships, identity and sexuality. This edition was published to coincide with the premiere at London's Vault Festival 2022.
John T. Shawcross's groundbreaking new study of John Milton is an essential work of scholarship for those who seek a greater understanding of Milton, his family, and his social and political world. Shawcross uses extensive new archival research to scrutinize several misunderstood elements of Milton's life, including his first marriage and his relationship with his brother, brother-in-law and nephews. Shawcross examines Milton's numerous royalist connections, complicating the conventional view of Milton as eminent Puritan and raising questions about the role his connections played in his relatively mild punishment after the Restoration. Unique in its methodology, The Arms of the Family is req...
A collection of essays exploring John Milton's rise to popularity and his status as a canonical author. The volume considers Milton's 'authorial persona' in the context of his relationships with his contemporary writers, stationers, and readers.
First published in 1986, this title examines a set of English Renaissance texts by Shakespeare, Spenser, Herbert, Marvell and Milton, within the theoretic framework of postmodern thought. Following an opening chapter that argues for the value of this conjunction as a way of understanding literary history, subsequent chapters draw upon Jacques Derrida’s deconstruction of photocentrism and Jacques Lacan’s analysis of the agency of the letter to offer fully theorized readings. Throughout, there is a sustained concern with the transformations of such Ovidian figures as Narcissus and Echo, Perseus and Medusa, Orpheus and Eurydice, and with the echo effects of Virgilian pastoral, as paradigms for the interplay of voice and writing.
During the tumultuous years of the English Revolution and Restoration, national crises like civil wars and the execution of the king convinced Englishmen that the end of the world was not only inevitable but imminent. National Reckonings shows how this widespread eschatological expectation shaped nationalist thinking in the seventeenth century. Imagining what Christ's return would mean for England's body politic, a wide range of poets, philosophers, and other writers—including Milton, Hobbes, Winstanley, and Thomas and Henry Vaughan,—used anticipation of the Last Judgment to both disrupt existing ideas of the nation and generate new ones. Ryan Hackenbracht contends that nationalism, cons...
Homicide Detective Sarah Milton is having the most insane week of her life. An evil supernatural entity stalking the Skid Row homeless has possessed her boyfriend. She's about to find herself caught up in a bloody gang war, thanks to the machinations of an escaped convict with dissociative identity disorder and the vigilante killer on her trail. Deadly agents of a shadowy cabal are conspiring against her. A parade of ghosts are invading her privacy and driving her crazy. Adjusting to her new job, a boss who hates her, and the strange visions that have begun to hijack her senses are pushing her to the breaking point. All she wants is to settle down with a good book, a bottle of Aspirin, and some peace and quiet. Unfortunately, her worries have only just begun.
A frantic phone call from the wife of her former partner plunges LAPD police detective Sarah Milton and her teenage poltergeist sidekick, Anna Nigma, into a deadly mystery involving one of their most dangerous foes, convicted serial killer Harry Sands; otherwise known as "The Fancy Dress Killer." The Violent Crimes Unit is in the hotseat to find the copycat killer responsible for a recent string of murders plaguing the city, leaving Sarah scrambling to understand the bizarre, otherworldly aspects to this latest murder spree. Enemies from her past conspire with a new, even deadlier foe, in a thrilling adventure that threatens not only her life, but also the fate of those she holds dear, culminating in a supernatural showdown against an evil entity that ultimately tests the limits of her faith and courage.
Dorchester annexed to Boston, Jan. 3, 1870; Roxbury annexed to Boston, Jan. 5, 1868.