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The Hamiltonians is a collection of stories about the most interesting and influential people who made Hamilton their home. These tales are told by some of the city's most expert writers.
Writing for Fun, sebuah event yang diselenggarakan oleh Nurses Bees untuk anak-anak Indonesia di Indonesia dan Australia. Bertujuan untuk menggiatkan dunia literasi anak, di mana mereka bisa mengekspresikan dunianya yang menyenangkan dan penuh dengan keceriaan. Para penulis bebas berkarya dalam pengolahan kata menjadi cerita, komik, puisi, dan berkreasi menggambarkan karakter cerita mereka sendiri. Semoga usaha keras mereka akan meningkatkan semangat dalam menciptakan karya-karya besar di masa yang akan datang. Terima kasih pada para bunda yang sudah mendukung dan mendorong para ananda dalam menyelesaikan karya-karya indah mereka.
A Year of Shakespeare gives a uniquely expert and exciting overview of the largest Shakespeare celebration the world has ever known: the World Shakespeare Festival 2012. This is the only book to describe and analyse each of the Festival's 73 productions in well-informed,lively reviews by eminent and up-and-coming scholars and critics from the UK and around the world. A rich resource of critical interest to all students, scholars and lovers of Shakespeare, the book also captures the excitement of this extraordinary event. A Year of Shakespeare provides: • a ground-breaking collection of Shakespearean reviews, covering all of the Festival's productions; • a dynamic visual record through a wide range of production photographs; • incisive analysis of the Festival's significance in the wider context of the Cultural Olympiad 2012. All the world really is a stage, and it's time for curtain-up...
Annotation Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 74 is 'Shakespeare and Education. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 74 is 'Shakespeare and Education. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.
David Driver isn't the only one buried in his grave. Kay's friend Olive has a family feud on her hands over who should have inherited the only remaining plot in their family section of the cemetery. When a cousin finally gives in and agrees to relocate her son's casket the cemetery staff discover there's an extra body in the plot. Was the mysterious woman murdered by an ex-boyfriend? A family member seeking revenge? Was David's grave just a convenient spot to dispose of a body, or were the two connected in some way? When Olive asks for her help in solving the mystery Kay jumps in to assist, and in her quest to find the killer uncovers some long buried family secrets.
Performing Disability in Early Modern English Drama investigates the cultural work done by early modern theatrical performances of disability. Proffering an expansive view of early modern disability in performance, the contributors suggest methodologies for finding and interpreting it in unexpected contexts. The volume also includes essays on disabled actors whose performances are changing the meanings of disability in Shakespeare for present-day audiences. By combining these two areas of scholarship, this text makes a unique intervention in early modern studies and disability studies alike. Ultimately, the volume generates a conversation that locates and theorizes the staging of particular disabilities within their historical and literary contexts while considering continuity and change in the performance of disability between the early modern period and our own.