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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
"To the Latest Posterity is filled with examples of family registers from museum and private collections, many of them never before published, including early handmade work as well as printed registers that were filled in by hand in the nineteenth century. Bringing the art into the twentieth century and beyond, the Earnests discuss the adoption of the art by the Amish, who continue the practice of illuminated family record keeping today."--Jacket.
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This book presents recent research on interactive collaborative learning. We are currently witnessing a significant transformation in the development of education and especially post-secondary education. To face these challenges, higher education has to find innovative ways to quickly respond to these new needs. On the one hand, there is a pressure by the new situation in regard to the COVID pandemic. On the other hand, the methods and organizational forms of teaching and learning at higher educational institutions have changed rapidly in recent months. Scientifically based statements as well as excellent experiences (best practice) are absolutely necessary. These were the aims connected wit...
Drawing on their award-winning reporting for the Louisiana State Penitentiary's uncensored newsmagazine, The Angolite, Wilbert Rideau and Ron Wikberg present the stark reality of life behind bars and the human, political, and fiscal costs of our long-running war on crime.
Lodowick and Maria Eva Zirkle came from Germany in 1725 and located in Pennsylvania. Mr. Zirkle died in 1746 and is buried in a cemetery in Philadelphia. In 1755, Maria Eva Zirkle, two daughters and five sons moved to Virginia to a place called "The Forest" now Forestville, Shendoah County, Virginia.
The Harpine family came from Germany to Pennsylvania prior to 1720.
In 1961, young, black, eighth-grade dropout Wilbert Rideau despaired of his small-town future in the segregated deep south of America. He set out to rob the local bank and after a bungled robbery he killed the bank teller, a fifty-year-old white female. He was arrested and gave a full confession. When we meet Rideau he has just been sentenced to death row, from where he embarks on an extraordinary journey. He is imprisoned at Angola, the most violent prison in America, where brutality, sexual slavery and local politics confine prisoners in ways that bars alone cannot. Yet Rideau breaks through all this and finds hope and meaning, becoming editor of the prison magazine, going on to win national journalism awards. Full of gritty realism and potent in its evocation of a life condemned, Rideau goes far beyond the traditional prison memoir and reveals an emotionally wrought and magical conclusion to his forty-four years in prison.