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Brothers in Arms
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Seeding Empire
In Seeding Empire, Aaron Eddens rewrites an enduring story about the past—and future—of global agriculture. Eddens connects today's efforts to cultivate a "Green Revolution in Africa" to a history of American projects that introduced capitalist agriculture across the Global South. Expansive in scope, this book draws on archival records of the earliest Green Revolution projects in Mexico in the 1940s and 1950s, as well as interviews at development institutions and agribusinesses working to deliver genetically modified crops to millions of small-scale farmers across Africa. From the offices of the Bill and Melinda Gates Foundation to the halls of the world's largest agricultural biotechnology companies to field trials of hybrid maize in Kenya, Eddens shows how the Green Revolution fails to address global inequalities. Seeding Empire insists that eradicating hunger in a world of climate crisis demands thinking beyond the Green Revolution.
The Rawson Family
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The Rawson family
The Rawson family a revised memoir or Edward Rawson, secretary of the colony of Massachusetts Bay, from 1650-1686, with genealogical notices of his descendants, including nine generations.
Performing Climates
Performing Climates features 13 interconnected essays exploring theatre and performance’s relationship with more-than-human elements at a time of climate emergency. This book argues that Western performance – how we conceive of it, as well as how we train and educate people in and about it – needs to reorient its ways of making and thinking about itself to reconsider patterns of breakdown, decay and renewal happening on and off stage in a literal play of cells and particles. Performing Climates examines live performance as a uniquely compostable artform, formed by sonic vibrations and movements of air and matter, more-than-human elements, composition and decomposition. This book will appeal to undergraduate audiences, postgraduate scholars and performance studies colleagues, offering exciting possibilities for reconsidering theatre and performing in an age of crisis.
Staging Muslims in Britain
This scholarly volume delves into the manner in which British Muslims articulate their cultural, social and religious identities through theatrical productions in 21st-century Britain and examines their portrayal within these performances. The study investigates the factors influencing the emergence and evolution of Islamic theatre in Britain, providing an in-depth analysis of plays by British playwrights of both Muslim and non-Muslim origins that have shaped the trajectory of British Islamic theatre from the late 20th century to the present. Önder Çakırtaş critically examines how British playwrights, predominantly of Muslim origin but also including some of non-Muslim origin, depict Muslim identity and culture from their unique perspectives, particularly in the context of post-9/11 society. Adopting a comprehensive approach to Islamic playwriting and performance, this book highlights the accomplishments and contributions of contemporary British playwrights, primarily from Muslim backgrounds. This study will be of significant interest to scholars and students in theatre studies, as well as related disciplines such as Islamic studies, sociology and political science.
