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The Uncanny in Language, Literature and Culture
In his attempts to define the uncanny, Sigmund Freud asserted that the concept is undoubtedly related to what is frightening, to what arouses dread and horror. Yet the sensation is prompted, simultaneously, by something familiar, establishing a sense of insecurity within the domestic, even within the walls of one’s own home. This disturbance of the familiar further unsettles the sense of oneself. A resultant perturbed relationship between a person and their familiar world — the troubled sense of home and self-certainty — can be the result of a traumatic experience of loss, and of unresolved pasts resurfacing in the present. Memory traces are revised and interwoven with fresh experiences producing an uncanny effect. As “an externalization of consciousness”, the uncanny becomes a meta-concept for modernity with its disintegration of time, space, and self. The papers in this book seek to explore the representations of the uncanny in language, literature, and culture, applying the origins of the concept to a range of ideas and works.
Dark Dreams 2.0
Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.
The Cinema of Todd Haynes
From the trenches of independent American film of the 1990s, Todd Haynes has emerged in the 21st century as one of the world's most audacious filmmakers. In a series of smart, informative essays, this book traces his career from its roots in New Queer Cinema to the Oscar-nomainated 'Far From Heaven.
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Gays and Lesbians in Mainstream Cinema
Hollywood's depiction of gays and lesbians has almost always been stereotypical, from the extremely effeminate characters portrayed by Franklin Pangborn, Eric Blore and Grady Sutton in the 1930s to the gay characters in To Be or Not to Be (1983) and Torch Song Trilogy (1988). A contrasting depiction--the homicidal homosexual--has been the basis for such popular films as Looking for Mr. Goodbar (1977).This comprehensive filmography to homosexual characters in mainstream movies, 1914-1992, includes full cast and credits, production information, reviews, and an analysis of the film with an essay blending critical commentary and a synopsis of each film.
Short Site
Summary: Offers readers an in-depth examination of ten exemplary shorts, and features the script taken into production for each work. Charting the creative process from idea to screen, each script is accompanied by an interview with the key creative contributor as well as a personal and passionate response to the film by an Australian writer.
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Screen World
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