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Chromatic Modernity
The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor—despite the fact that new color technologies used in film, advertising, fashion, and industry reshaped cinema and consumer culture. In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s played a key role in creating a chromatically vibrant culture. Focusing on the final decade of silent film, Street and Yumibe portray the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exch...
British National Cinema
The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.
Last Ones Left Alive
'Absolutely amazing... a cross between The Road by Cormac McCarthy and The Walking Dead' Eoin Colfer 'You'll be terrified, fascinated and above all, uplifted by Orpen - a heroine to rival Philip Pullman's Lyra or The Passage's Amy' Stylist Raised by her mother and Maeve on Slanbeg, an island off the west coast of Ireland, Orpen has a childhood of love and stories by the fireside. But the stories grow darker, and the training begins. Ireland has been devoured by a ravening menace known as the skrake, and though Slanbeg is safe for now, the women must always be ready to run, or to fight. When Maeve is bitten, Orpen is faced with a dilemma: kill Maeve before her transformation is complete, or try to get help. So Orpen sets off, with Maeve in a wheelbarrow and her dog at her side, in the hope of finding other survivors, and a cure. It is a journey that will test Orpen to her limits, on which she will learn who she really is, who she really loves, and how to imagine a future in a world that ended before she was born.
The Night Flower
Two girls are brought together under the worst of circumstances: a prison ship taking them from London to 'parts beyond the sea'. Miriam is a Romany girl drawn from freedom in the hills of the North-West to the city to eke a living playing her tin-whistle in a place where her people are despised. When her mother dies - from cholera, the 'gypsy disease' - she's caught breaking-and-entering and sentenced to transportation. Rose has been brought up to expect more, but when her husband dies and her father is sent down for illegal slave-trading, she's separated from her children and forced to take a governess's job. When she's caught stealing, the judge shows no mercy. Surviving - just - an appal...
Prince of Pants
It's Prince Pip's birthday, and he can't wait to choose a pair of pants to wear on his special day. But where have all his pants gone? Could it be that the palace has planned a very special, pants-tastic surprise party? A royally funny picture book by an award-winning duo, with glow-in-the dark undies on the final page.
Colour Films in Britain
Eastmancolor and branding -- Institutions and Eastmancolor -- Comedy and satire -- Social realism and contemporary drama -- The colour of crime -- The colour fantastic : fantasy, horror and science fiction -- Historical and costume films -- Musicals, pop music and the concert film -- Colour and collaboration -- Art, experimental/avant grade practices -- Amateur colour filmmaking -- Short, documentary and advertising films -- Sex and Eastmancolor -- Cultures and practices of preservation and restoration.
Please Send this Book to My Mother
In Please send this book to my mother, artist Sarah Entwistle dismantles the traditional form of the architectural monograph and artist biography. In 2011, the astounding personal effects of her grandfather, architect Clive Entwistle (1916-76), emerged from a Manhattan storeroom. This book welds together original text fragments and extensive visual material from the collection and Clive Entwistle's years in Paris, London, Tangiers, and New York. Clive Entwistle described his cardinal points as: Philosophy, Architecture, Intellect, and Sex. He was an autodidact whose unconsolidated practice tackled utopian city plans, product design, structural engineering, formal experimentation, and archite...
The Book of Sarah
The Jerusalem Bible, Ellerdale Road, St Paul's Girls School and a baby monitor: books and streets, buildings and objects fill this bildungsroman set in Hampstead, North West London. Sarah Lightman has been drawing her life since she was a 22-year-old undergraduate at The Slade School of Art. The Book of Sarah traces her journey from modern Jewish orthodoxy to a feminist Judaism, as she searches between the complex layers of family and family history that she inherited and inhabited. While the act of drawing came easily, the letting go of past failures, attachments and expectations did not. It is these that form the focus of Sarah's astonishingly beautiful pages, as we bear witness to her making the world her own.
Sweet Dreams, Sarah
Describes the life of Sarah Goode, who was born a slave and grew up to invent a space-saving foldable bed and became the first African American woman to obtain a patent in the United States.
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