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When We Were Young and Unafraid
  • Language: en
  • Pages: 68

When We Were Young and Unafraid

THE STORY: In the early 1970s, before Roe v. Wade, before the Violence Against Women Act, Agnes has turned her quiet bed and breakfast into one of the few spots where victims of domestic violence can seek refuge. But to Agnes’s dismay, her latest runaway, Mary Anne, is beginning to influence Agnes’s college-bound daughter Penny. As the drums of a feminist revolution grow louder outside of Agnes’s tiny world, Agnes is forced to confront her own presumptions about the women she’s spent her life trying to help.

A Feminine Ending
  • Language: en
  • Pages: 80

A Feminine Ending

Full Length, Dark Comedy 3m., 2f. Various, Unit set Amanda, twenty-five, wants to be a great composer. But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fianc , Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and

The How and the Why
  • Language: en
  • Pages: 51

The How and the Why

THE STORY: Evolution and emotion collide in Sarah Treem's thought-provoking and sharp play about science, family, and survival of the fittest. On the eve of a prestigious conference, an up-and-coming evolutionary biologist wrestles for the truth wi

Mirror, Mirror
  • Language: en
  • Pages: 77

Mirror, Mirror

In the cover title the 2nd mirror is not only spelled backwards (rorrim) but the letters are reversed.

The Feminist Spectator as Critic
  • Language: en
  • Pages: 213

The Feminist Spectator as Critic

This groundbreaking work in gender and performance, with a new introduction and updated bibliography

Dps
  • Language: en
  • Pages: 76

Dps

None

Contemporary Scenes for Twentysomethings
  • Language: en
  • Pages: 298

Contemporary Scenes for Twentysomethings

The theater of the 21st century, in many ways, is expanding to require new muscles of its actors, and so should their scene choices. Today, amid flourishing new play resources, it can be difficult to nail down contemporary scenes for two people. These scenes, all culled from plays written between 2000 and 2016, are useful to actors between the ages of 15 and 30. They range from about two to seven minutes' running time – appropriate for different classroom explorations – and are grouped by scenes for two males, two females, and one male and one female. Contemporary Scenes for Twentysomethings offers the opportunity for emerging actors to explore work by playwrights, both emerging and esta...

You Can Be Right (or You Can Be Married)
  • Language: en
  • Pages: 256

You Can Be Right (or You Can Be Married)

A voyeuristic peek into the lives of our friends and neighbors. No subject is too taboo, and these anonymous interviews reveal heartbreaking, heartwarming insights about sex, fighting, money, addiction, in-laws, and the Internet.

Israel
  • Language: en
  • Pages: 352

Israel

"A personal, spirited, and concise chronological timeline spanning from Biblical times to today that explores one of the most fascinating countries in the world-Israel"--

The New Princeton Companion
  • Language: en
  • Pages: 584

The New Princeton Companion

"The definitive single-volume compendium of all things Princeton"--