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The Neolithic Cemetery at Tell el-Kerkh is the second volume of the final reports on the excavations at Tell el-Kerkh, northwest Syria, focusing on the discovery of a Pottery Neolithic cemetery dating between c. 6400 and 6100 BC, one of the oldest outdoor communal cemeteries in West Asia.
《新絲路學刊》是中國首本專注於“”學科體系、學術體系及話語體系建構的學術集刊,聚焦打造“”研究、絲綢之路研究、絲路學研究三個欄目,展開“”政策解讀、絲路歷史人文研究及中國絲路學理論體系建構,將絲路學研究的靜態學術資源盤活為“一帶一路”建設的動態現實資源,以期為“”提供扎實且全面的學理性支撐。本書為4期。
In rock art, humanlike images appear widely throughout the ages. The artworks discussed in this book range from paintings, engravings or scratchings on cave walls and rock shelters, images pecked into rocky surfaces or upon standing stones, and major sacred sites, in which exists the possibility of recovering the meanings intended by the artists.
The Gospel of Luke in Abun language, a language spoken in Kecamatan Moraid, kabupaten Sorong, Irian Jaya Province.
Drawing on both the results of recent archaeological research and anthropological theory, leading experts synthesize current thinking on the nature of and variation within Neolithic social arrangements. The authors analyze archaeological data within a range of methodological and theoretical perspectives to reconstruct key aspects of ritual practices, labor organization, and collective social identity at the scale of the household, community, and region.
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Humans are unique in that they expend considerable effort and ingenuity in disposing of the dead. Some of the recognisable ways we do this are visible in the Palaeolithic archaeology of the Ice Age. The Palaeolithic Origins of Human Burial takes a novel approach to the long-term development of human mortuary activity – the various ways we deal with the dead and with dead bodies. It is the first comprehensive survey of Palaeolithic mortuary activity in the English language. Observations in the modern world as to how chimpanzees behave towards their dead allow us to identify ‘core’ areas of behaviour towards the dead that probably have very deep evolutionary antiquity. From that point, t...
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Martin Flanagan uses Bakhtin's notions of dialogism, chronotope and polyphony to address fundamental questions about film form and reception, focussing particularly on the way cinematic narrative utilises time and space in its very construction.