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Performance and the Culture of Nationalism
This book studies the intersection of performance and nationalism in South Asia.It traces the emergence of the culture of nationalism from the late nineteenth century through to contemporary times. Drawing on various theatrical performance texts, it looks at the ways in which performative narratives have reflected the national narrative and analyses the role performance has played in engendering nationhood. The volume discusses themes such as political martyrdom as performative nationalism, the revitalisation of nationalism through new media, the sanitisation of physical gestures in dance, the performance of nationhood through violence in Tajiki films, as well as K-Pop and the new northeastern identity in India. A unique contribution to the study of nationalism, this book will be useful for scholars and researchers of history, theatre and performance studies, cultural studies, postcolonial studies, modern India, Asian studies, political studies, social anthropology and sociology.
M.K. Gandhi, Media, Politics and Society
This Palgrave Pivot showcases new research on M.K. Gandhi or Mahatma Gandhi, and the press, telegraphs, broadcasting and popular culture. Despite Gandhi being the subject of numerous books over the past century, there are few that put media centre stage. This edited collection explores both Gandhi’s own approach to the press, but also how different advocacy groups and the media, within India and overseas, engaged with Gandhi, his ideology and methodology, to further their own causes. The timeframe of the book extends from the late nineteenth century up to the present, and the case studies draw inspiration from a number of disciplinary approaches.
Contiguity, Connectivity and Access
This volume examines themes like contemporary factors shaping the emergence of the Bay of Bengal region as a critical strategic theatre in Indian foreign policy; the inter-connectedness of the Indian and Pacific Oceans; the importance of oceans to security and commerce and India’s role within the broader region; the twenty-first century maritime Silk Road and Indian alternatives and the possibilities of reconnecting disconnected spaces through re-imagining a Bay of Bengal Community. In this connection the volume takes particular note of the emerging regional cooperative order for the promotion of peace and development in the Bay of Bengal region (BIMSTEC). The volume brings together historians, political analysts and political economists to emphasize the interconnectedness of the oceanic space through a detailed analysis of the Bay of Bengal as a space of strategic and economic significance, particularly for India, but also as a space for re-imagining a new regional community. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan).
Asia after Europe
A concise new history of a century of struggles to define Asian identity and express alternatives to European forms of universalism. The balance of global power changed profoundly over the course of the twentieth century, above all with the economic and political rise of Asia. Asia after Europe is a bold new interpretation of the period, focusing on the conflicting and overlapping ways in which Asians have conceived their bonds and their roles in the world. Tracking the circulation of ideas and people across colonial and national borders, Sugata Bose explores developments in Asian thought, art, and politics that defied Euro-American models and defined Asianness as a locus of solidarity for a...
The Nation and its Margins
This volume questions the idea that the nation-state is the only available form of community, and challenges its hegemonic control over forms of socio-cultural belonging. The contributions here explore cross-cultural and transnational encounters which highlight narratives that escape the neat boundaries constructed by nationalities. They complicate our understanding of peoples and groups and the varying spaces they inhabit by allowing narratives that have been made invisible, due to hegemonic national control, to emerge. This volume throws light on moments of cultural encounters in the Global South, specifically South Asia, South-east Asia, West Asia, and Latin America, exploring what happens when diverse communities come together to challenge the notion that claiming national identity is the only acceptable mode of being, belonging, and existing in the world. In doing so, the book reveals other radically innovative forms of attaining cohesion and identity.
Cooking Cultures
"Tracks the interplay of creativity, competition, desire, and nostalgia in the discrete ways people relate to food and cuisine in different societies"--
The Decline of the Caste Question
Sen argues that the decline of caste-based politics in twentieth-century Bengal was as much the result of coercion as consent.
Gandhi & Art and Other Essays
In the Vishnudharmottara Purana, when Vajra asks about the art of sculpting deities, Markandeya responds that understanding sculpture first requires knowledge of painting. When Vajra seeks the rules of painting, Markandeya further explains that painting itself cannot be understood without knowledge of dance. To grasp choreography, one must first comprehend music, and true understanding of music is only possible through mastery of singing. This interdependence of art, the insight into the essence of art, is not only attractive but also worth deploring especially when over-specialization is the norm of our age. The essays in this book are a reflection of that ideal, seeking to explore and touch even a small part of this artistic interdependence.
Religion, Law and Power
This book constructs an anthropological history of a subaltern religious formation, Mahima Dharma of Orissa, a large province in eastern India. Tracking the contingent making of a critical community over a hundred and forty year period, ‘Religion, Law and Power’ explores the interplay of distinct expressions of time and history, innovative reformulations of caste and Hinduism and distinct engagements with state and nation. This serves to unravel the wider entanglements of religion, history, law, modernity and power.
Brown Skins, White Coats
A unique narrative structure brings the history of race science in mid-twentieth-century India to vivid life. There has been a recent explosion in studies of race science in the twentieth and twenty-first centuries, but most have focused either on Europe or on North America and Australia. In this stirring history, Projit Bihari Mukharji illustrates how India appropriated and repurposed race science to its own ends and argues that these appropriations need to be understood within the national and regional contexts of postcolonial nation-making—not merely as footnotes to a Western history of “normal science.” The book comprises seven factual chapters operating at distinct levels—conceptual, practical, and cosmological—and eight fictive interchapters, a series of epistolary exchanges between the Bengali author Hemendrakumar Ray (1888–1963) and the protagonist of his dystopian science fiction novel about race, race science, racial improvement, and dehumanization. In this way, Mukharji fills out the historical moment in which the factual narrative unfolded, vividly revealing its moral, affective, political, and intellectual fissures.
