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Against the Nation
Against the Nation invites readers to explore South Asia as a place and as an idea with a sense of reflection and nuance rather than submitting to conventional understanding of the region merely in geopolitical terms. The authors take the readers across a vast terrain of prospects like visual culture, music, film, knowledge systems and classrooms, myth and history as well as forms of politics that offer possibilities for reading South Asia as a collective enterprise that has historical precedents as well as untapped ideological potential for the future.
Warzone Tourism in Sri Lanka
Approach : places, landscapes, travels and discourses -- The Jaffna photo album : Sinhala warzone tourism in the time of a ceasefire -- Travels with the lion flag : Sinhala warzone tourism in an era of post-war triumphalism -- Photography and cartography in warzone tourism -- Tales from darker places in paradise : towards a logic of warzone travel
The Fear of the Visual?
Photography had played a central role in the emergence of anthropology as a discipline in the late colonial period. Despite this, why is it that photography is not taken seriously in contemporary mainstream social anthropology and sociology in South asia and, to a great extent, in the rest of the worlds a possible way of conducting research or as an object of research? The fear of the visual? Explores this Question through a study of the histories of anthropology/ sociology and photography. The author studies past and present practices of photography including contemporary practices such as the 'selfish', and the framing of social/ familial events such as wedding photography and possibilitie...
Culture and Politics in South Asia
This volume looks at the politics of communication and culture in contemporary South Asia. It explores languages, signs and symbols reflective of current mythologies that underpin instances of performance in present-day India and its neighbouring countries. From gender performances and stage depictions to protest movements, folk songs to cinematic reconstructions and elections to war-torn regions, the chapters in the book bring the multiple voices embedded within the grand theatre of popular performance and the cultural landscape of the region to the fore. Breaking new ground, this work will prove useful to students and researchers in sociology and social anthropology, art and performance studies, political studies and international relations, communication and media studies and culture studies.
Humour and the Performance of Power in South Asia
This book critically examines the role and politics of humour and the performance of power in South Asia. What does humour do and how does it manifest when lived political circumstances experience ruptures or instability? Can humour that emerges in such circumstances be viewed as a specific narrative on the nature of democracy in the region? Drawing upon essays from India, Sri Lanka and Bangladesh, this volume discusses many crucial historical and contemporary themes, including dance-drama performances in northern India; caste and stand-up comedy in India; cartoon narratives of citizens’ anxieties; civic participation through social media memes in Sri Lanka; media, politics and humorous pu...
Indigenous Knowledge and the Integration of Knowledge Systems
This book explores the role of the social and natural sciences in supporting the development of indigenous knowledge systems. It looks at how indigenous knowledge systems can impact on the transformation of knowledge generating institutions such as scientific and higher education institutions on the one hand, and the policy domain on the other.
Intersections of Contemporary Art, Anthropology and Art History in South Asia
Taking South Asia as its focus, this wide-ranging collection probes the general reluctance of the cultural anthropology to engage with contemporary visual art and artists, including painting, sculpture, performance art and installation. Through case studies engaged equally in anthropology and visual studies, contributors examine art and artistic production in India, Sri Lanka, Pakistan, Bangladesh, and Nepal to bring the social and political complexities of artistic practice to the fore. Demonstrating the potential of the visual as a means to understand a society, its values, and its politics, this volume ranges across discourses of anthropology, sociology, biography, memory, art history, and contemporary practices of visual art. Ultimately, Intersections of Contemporary Art, Anthropology and Art History in South Asia simultaneously expands and challenges the disciplinary foci of two fields: it demonstrates to art criticism and art history the necessity of anthropological and sociological methodologies and theories, while at the same time challenging the “iconophobia” of social sciences.
Rescued from the Nation
Dharmapala is a galvanizing figure in Sri Lanka's recent history, widely regarded as the nationalist hero who saved the Sinhala people from cultural collapse and whose 'protestant' reformation of Buddhism drove monks toward increased political involvement and ethnic confrontation. Yet he spent the vast majority of his life abroad, dealing with other concerns. Steven Kemper re-evaluates this important figure in the light of an unprecedented number of his writings that paint a picture not of a nationalist zealot but of a spiritual seeker earnest in his pursuit of salvation.
