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Details the transformation of Tamil literary culture that came with colonialism and the encounter with Western modernity.
A true tour de force, this book documents the transformation of one Indian literature, Tamil, under the impact of colonialism and Western modernity. While Tamil is a living language, it is also India's second oldest classical language next to Sanskrit, and has a literary history that goes back over two thousand years. On the basis of extensive archival research, Sascha Ebeling tackles a host of issues pertinent to Tamil elite literary production and consumption during the nineteenth century. These include the functioning and decline of traditional systems in which poet-scholars were patronized by religious institutions, landowners, and local kings; the anatomy of changes in textual practices, genres, styles, poetics, themes, tastes, and audiences; and the role of literature in the politics of social reform, gender, and incipient nationalism. The work concludes with a discussion of the most striking literary development of the time—the emergence of the Tamil novel.
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India.
South Asia is home to more than a billion Hindus and half a billion Muslims. But the region is also home to substantial Christian communities, some dating almost to the earliest days of the faith. The stories of South Asia's Christians are vital for understanding the shifting contours of World Christianity, precisely because of their history of interaction with members of these other religious traditions. In this broad, accessible overview of South Asian Christianity, Chandra Mallampalli shows how the faith has been shaped by Christians' location between Hindus and Muslims. Mallampalli begins with a discussion of South India's ancient Thomas Christian tradition, which interacted with West As...
Philology was everywhere and nowhere in classical South Asia. While its civilizations possessed remarkably sophisticated tools and methods of textual analysis, interpretation, and transmission, they lacked any sense of a common disciplinary or intellectual project uniting these; indeed they lacked a word for ‘philology’ altogether. Arguing that such pseudepigraphical genres as the Sanskrit purāṇas and tantras incorporated modes of philological reading and writing, Cox demonstrates the ways in which the production of these works in turn motivated the invention of new kinds of śāstric scholarship. Combining close textual analysis with wider theoretical concerns, Cox traces this philological transformation in the works of the dramaturgist Śāradātanaya, the celebrated Vaiṣṇava poet-theologian Veṅkaṭanātha, and the maverick Śaiva mystic Maheśvarānanda.
Explores the activities and political personas of women activists in Shiv Sena, a militant Indian political party. Rich in detail, this book tells the stories of women of Shiv Sena (Shivajis Army), a militant political party in Western India. It provides insight into the political networks powered by lower-level women politicians in postcolonial, globalizing cities and on their margins. Based on more than ten years of in-depth ethnographic fieldwork with the women of Shiv Sena, the work shows how women political activists in urbanizing India conjure political authority through the inventive, dangerous, and transgressive political personas known as dashing ladies. Tarini Bedi develops a feminist theory of brokerage politics, arguing that political grids where women employ political, symbolic, and material resources through the political system may be seen as channels of what can be termed political matronage.
"This book is about the deceptively simple question: when Hindu devotional or bhakti traditions welcomed marginalized people-women, low castes, and Dalits-were they promoting social equality? This the modern formulation of the bhakti-caste question. It is what Dalit leader B. R. Ambedkar had in mind when he concluded that the saints promoted spiritual equality but did not transform society. While taking Ambedkar's judgment seriously, when viewed in the context of intellectual history and social practice, the bhakti-caste question is more complex. This book dives deeply in Marathi sources to explore how one tradition in western India worked out the relationship between bhakti and caste on its...
From the late fifteenth to the eighteenth centuries, the imagination came to be recognized in South Indian culture as the defining feature of human beings. Shulman elucidates the distinctiveness of South Indian theories of the imagination and shows how they differ radically from Western notions of reality and models of the mind.
In Writing Tamil Catholicism: Literature, Persuasion and Devotion in the Eighteenth Century, Margherita Trento explores the process by which the Jesuit missionary Costanzo Giuseppe Beschi (1680-1747), in collaboration with a group of local lay elites identified by their profession as catechists, chose Tamil poetry as the social and political language of Catholicism in eighteenth-century South India. Trento analyzes a corpus of Tamil grammars and poems, chiefly Beschi’s Tēmpāvaṇi, alongside archival documents to show how, by presenting themselves as poets and intellectuals, Catholic elites gained a persuasive voice as well as entrance into the learned society of the Tamil country and its networks of patronage. This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 840879.
In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-...