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The publication rethinks climate control – a key concern of the discipline of architecture – through the lens of city climate phenomena over the course of the 20th century. Based on a history of climate control on urban scales, it promotes the integration of indoors and outdoors in order to reduce environmental and thermal loads in cities. Just as heating and cooling practices inside the buildings are affecting the (urban) climate outdoors, urban heat islands are influencing the energy requirements and thermal conditions inside the buildings. While the first part of the book focuses on the interwar period in Europe, the publication’s second part considers examples from all over the globe, tracing the growing significance of ecological thinking for the design of urban environments.
While 20th century architecture learned to control the climate of a building, the architecture of the 21st century needs to learn to cope with the climate of cities. Problems such as urban heat and air pollution need to be included in planning and design. Based on empirical realities in Cairo, Chongqing, Geneva and Santiago de Chile, the book underlines that the materiality and social practices attached to room heating, compound greening, street alignment or climate policies together form the tissue for contemporary urban climates. It interweaves socio-cultural with meteorological data and pioneers the new concept of "thermal governance" by linking architectural and technological as well as legal and economic dimensions of climate control in urban environments.
Now in its second edition: the trailblazing introduction and textbook on construction includes a new section on translucent materials and an article on the use of glass.
The "Habitat Marocain" housing project was built in Casablanca between 1954-56 by two Swiss architects, Jean Hentsch (1921-84) and André Studer (1926-2007). The complex was part of the reconstruction and expansion scheme for the city under the French colonial administration in Morocco after World War II and meant to house local inhabitants rather than European expatriates. This lead to a culturally specific architectural approach. "Habitat Marocain" is a prime example for the interplay between formal and informal building. This book investigates the contradictions between the architects' cultural assumptions and the actual way of life of inhabitants. It documents the ethnographic influence ...
Capturing personal data in exchange for free services is now ubiquitous in networked media and recently led to diagnoses of surveillance and platform capitalism. In social media discourse, dataveillance and data mining have been criticized as new forms of capitalist exploitation for some time. From social photos, selfies and image communities on the internet to connected viewing and streaming, and video conferencing during the Corona pandemic – the digital image is not only predominantly networked but also accessed through platforms and structured by their economic imperatives, data acquisition techniques and algorithmic processing. In this issue, the contributors show how participation and commodification are closely linked to the production, circulation, consumption and operativity of images and visual communication, raising the question of the role networked images play for and within the proliferating surveillance capitalism.
This book focuses on understanding how a megacity like Seoul can be read as a formal architectural composition and not an endless urban sprawl. In a broader sense, the book discusses the dichotomy between city and urbanization: “city” being an architectural problem of bounded forms, while “urbanism” is an infrastructural project of expansion. It is an uncontested reality that urbanization is a continuous global process that has produced nebulous conurbations labeled as megacities. These expand beyond the virtual administrative boundary of any said “city,” producing a discrepancy between an area of administrative control and the real physical condition of human settlement. If ther...
Urban microclimates cannot be explained solely on the basis of scientific phenomena, but are also affected materially and spatially by the city’s local architecture. The layout, design, and facade construction of buildings have a major impact on wind and temperature conditions. For this reason, architecture and urban design that have an effect on microclimates must be investigated in their social and cultural contexts. The publication uses international case studies to explain these relationships. The focus is on manifestations of urban microclimates in an architectural and urban design context. The places investigated are located in France, Italy, the USA, New Zealand, the Philippines, Taiwan, and Burkina Faso.
Urban Infrastructures creates space for an encounter between historians, humanists, and social scientists who seek new methodological approaches to the history of urban infrastructure. It draws on recent work across history, anthropology, science and technology studies, geography, resilience/sustainability, and other disciplines to explore the social effects of infrastructure. The volume rejects narrow conceptions of infrastructure history as only the history of public works, and instead expands the definition to all business enterprises and public bodies that provide the goods and services essential for the day-to-day lives of most people. Essays examine traditional artifacts such as roads, highways, and waterworks, as well as nontraditional topics like regimes of heating and cooling, the processing and distribution of food, and even the metaphysics of electromagnetic infrastructure. Contributors reveal both the material grounding of urban social relations and the social life of material infrastructure. In the end, they show that infrastructure profoundly reshapes urban life even as residents fight to reshape infrastructure to their own ends.
While in the recent decades, the field of architecture has primarily focused on the self-sufficiency of individual buildings, the current "Ardeth" issue wishes to bring back scholarly attention to an approach that prioritizes energy conservation and generation at the urban scale. Such an approach relies on the idea of the productive (and not only consumptive) urban environment, in which the built fabric, topography, soil, bodies of water, green spaces, as well as regional climatic conditions (determined by sun, wind, rain flows, and seasonal temperatures), serve as potential parameters for energy production. How do different built fabric densities contribute to and limit the emergence of post-carbon energy landscapes? What are the implications of a British suburb, an Italian medieval town, or Greek informal settlements densities on the production, distribution, and use of post-carbon energy in those areas?
Material Theories takes a radically new approach to well-established thinking on nineteenth-century architecture and design by investigating Gottfried Semper’s classic ideas about dressing, metamorphosis of material, and cultural development, culminating in his two-volume publication Style. This book demonstrates how Semper’s theories crystallised among his encounters with material things of the late 1840s and early 1850s. It examines several discursive frameworks and phenomena which shaped the attitude to artefacts in Europe in the mid-nineteenth century, and which were specifically pertinent to Semper’s evolution: archaeology and antiquarianism, the domestic interior, print media, co...