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The Dawnhounds
Gideon the Ninth meets Black Sun in this queer, Māori-inspired debut fantasy about a police officer who is murdered, brought back to life with a mysterious new power, and tasked with protecting her city from an insidious evil threatening to destroy it. The port city of Hainak is alive: its buildings, its fashion, even its weapons. But, after a devastating war and a sweeping biotech revolution, all its inhabitants want is peace, no one more so than Yat Jyn-Hok a reformed-thief-turned-cop who patrols the streets at night. Yat has recently been demoted on the force due to “lifestyle choices” after being caught at a gay club. She’s barely holding it together, haunted by memories of a love...
The Sunforge
Sascha Stronach’s queer, Maori-inspired Endsong trilogy reopens on a city in flames, where a magic-wielding pirate crew uncovers an age-old fight between the gods that threatens their world. The steel city of Radovan is consumed by fire between. Stranded in its harbor is the crew of the Kopek, the survivors of a bioterror attack overseas. But they bear scars: their captain, Sibbi, has gone missing; Yat, their newest Weaver, is fighting for control of her own mind; and their Weaving powers are in a badly weakened state. To disable the technology that prevents the group from escaping, Sen and Kiada must plot their way through the ruins of the foreign capital, which is patrolled by a hostile militia, using wits alone. But to navigate through Radovan, Kiada will have to rely on her own history with the city—one she shares with a band of misfits dubbed Fort Tomorrow and their leader, Ari, a charismatic thief. Ari may hold the key not only to saving Radovan from complete annihilation, but the history of their world, which will come into play as the gods begin to unleash destruction on humanity and one another.
Karen Memory
“Bear pumps fresh energy in the steampunk genre with a light touch on the gadgetry and a vivid sense of place . . . Karen and the ladies kick ass.” —Library Journal (starred review) Set in the late nineteenth century—when the city we now call Seattle Underground was the whole town (and still on the surface), when airships plied the trade routes, would-be gold miners were heading to the gold fields of Alaska, and steam-powered mechanicals stalked the waterfront, Karen Memery (“like memory only spelt with an e”) is a young woman on her own, making the best of her orphaned state by working in Madame Damnable’s high-quality bordello. Through Karen’s eyes we get to know the other ...
Dead Man in a Ditch
Fetch Philips has nothing left to believe in. Which is why he's surprised when the people of Sunder City start to believe in him... Rumour has it that Fetch is only one who can bring magic back into the world. So when a man is murdered in a way that can only be explained as magical, Fetch is brought in on the case. A case which just might unearth things best left buried... This sequel to The Last Smile in Sunder City follows the adventures of Fetch Phillips - a character destined to be loved by readers of Ben Aaronovitch, Jim Butcher and Terry Pratchett's Discworld.
Dragonsbane (Winterlands, Book 1)
A rich and breath-taking fantasy classic full of whirlwind adventure, magic and dragons – Dragonsbane is the first book in Barbara Hambly’s landmark epic quartet, The Winterlands.
This All Come Back Now
The first-ever anthology of Aboriginal and Torres Strait Islander speculative fiction – written, curated, edited and designed by blackfellas, for blackfellas and about blackfellas. In these stories, 'this all come back': all those things that have been taken from us, that we collectively mourn the loss of, or attempt to recover and revive, as well as those that we thought we'd gotten rid of, that are always returning to haunt and hound us. Some writers summon ancestral spirits from the past, while others look straight down the barrel of potential futures, which always end up curving back around to hold us from behind. Dazzling, imaginative and unsettling, This All Come Back Now centres and celebrates communities and culture. It's a love letter to kin and country, to memory and future-thinking.
Immodest Acts
The discovery of the fascinating and richly documented story of Sister Benedetta Carlini, Abbess of the Convent of the Mother of God, by Judith C. Brown was an event of major historical importance. Not only is the story revealed in Immodest Acts that of the rise and fall of a powerful woman in a church community and a record of the life of a religious visionary, it is also the earliest documentation of lesbianism in modern Western history. Born of well-to-do parents, Benedetta Carlini entered the convent at the age of nine. At twenty-three, she began to have visions of both a religious and erotic nature. Benedetta was elected abbess due largely to these visions, but later aroused suspicions by claiming to have had supernatural contacts with Christ. During the course of an investigation, church authorities not only found that she had faked her visions and stigmata, but uncovered evidence of a lesbian affair with another nun, Bartolomeo. The story of the relationship between the two nuns and of Benedetta's fall from an abbess to an outcast is revealed in surprisingly candid archival documents and retold here with a fine sense of drama.
Ocean's Echo
Ocean's Echo is a stand-alone, romantic space adventure, set in the same universe as Everina Maxwell's hit debut, Winter's Orbit. When Tennal - a rich socialite, inveterate flirt, and walking disaster - is caught using his telepathic powers for illegal activities, the military decides to bind his mind to someone whose coercive powers are strong enough to control him. Enter Lieutenant Surit, the child of a disgraced general. Out of a desperate need to restore a pension to his other parent, Lieutenant Surit agrees to be bound to Tennal and keep him conscripted in the army, a task that seems impossible even for someone with Surit's ability to control minds. Tennal just wants to escape, but Surit isn't all that he seems. And their bond may just be the key to their freedom.
Imagining Global Futures
A collection of post-colonial visions for a more just world. What does a just world look like? This volume begins with a planet beset by accumulating crises—environmental, social, and political—and imagines how we can move beyond them. Drawing on the legacy of post-colonial struggles for liberation, Imagining Global Futures explores a range of radical visions for a world after neoliberalism and empire. Centered on movements in the Global South, the collection challenges dominant patterns of social and political life and sketches more just and sustainable futures we might build in their place. What can we learn from alternative conceptions of the good life? How can we build a world where people are both freer and more equal? An urgent resource for collective imagination, Imagining Global Futures counterposes thick visions of a better world to our dystopian present.
When I Was Lost
“With some of the most beguiling prose this side of The Ladies of Grace Adieu, Jordan Kurella’s When I Was Lost conjures visions from beyond the fields we know. Majestic, often mournful, full of dark wonder and grit, these stories bridge the gap between whimsy and modernist realism, between awe and regret and spectral terror. These are no escapist fairy romances, these are mature stories of pain, of sorrow, of irrevocable loss. And they have at their core a very real, very contemporary concern: to enchant, to reimagine, and to find a new path through the heartbreak. Some books are about magic, and some books are magic. Jordan Kurella clearly knows which is which.” —Polly Schattel, au...
