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The definite work on an ancient fabric-making process.
New research into the techniques of tablet weaving, sprang, braiding, knotting and lace is presented in this lavishly illustrated volume written by leading specialists from Austria, Canada, Denmark, France, Germany, Sweden, Switzerland, the UK, and USA. Drawing inspiration from the pioneering work of Peter Collingwood, this publication explores aspects of these craft skills in the prehistoric, Roman, and medieval world through scientific, object-based analysis and 'research through making'. Chapters include the growth of patterned tablet weaving for trimming garments in prehistoric Central Europe; recently identified styles of headdress worn in the Roman Rhineland and pre-Islamic Egypt; Viki...
Explores eleven knotting techniques, from basic tying techniques to more intricate macrame and ornamental styles. This book helps readers discover the history behind knot art; an ancient technique that originated in Korea, traditionally used to decorate clothing and home interiors.
Mohammad Ali Jamalzadeh, acclaimed as the father of modern Persian short story, wrote this work. Sar o Tah-e Yak Karbas. to provide his fellow Iranians a memoir in story form of traditional Islamic life in Iran before westernization. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The architecture of the human language faculty has been one of the main foci of the linguistic research of the last half century. This branch of linguistics, broadly known as Generative Grammar, is concerned with the formulation of explanatory formal accounts of linguistic phenomena with the ulterior goal of gaining insight into the properties of the 'language organ'. The series comprises high quality monographs and collected volumes that address such issues. The topics in this series range from phonology to semantics, from syntax to information structure, from mathematical linguistics to studies of the lexicon. To discuss your book idea or submit a proposal, please contact Birgit Sievert
Sash, Mokassins und blumenförmiges Beadwork haben sich zu Symbolen für das indigene people der Metis in Kanada entwickelt. Sie werden mindestens seit dem frühen 19. Jahrhundert verwendet, um Metisness zu konstruieren und zu artikulieren. Durch ihre Bedeutung für die Produktion von kollektiver und kultureller Erinnerung bilden diese Artefakte eine der Grundlagen für die Resilienz der Metis gegenüber Strategien der Zwangsassimilation und damit auch für die Metis-Renaissance seit den 1960er-Jahren. Dieses Buch befasst sich mit den Fragen, wie Sash, Mokassins und Beadwork als Artefakte im Kontext einer Metis-Erinnerungskultur genutzt wurden, wie sie - sowohl von Metis als auch von Eurokanadier*innen - in Bilder und Narrative von Metisness übersetzt wurden und wie sich die museale Repräsentation der Artefakte zur Konzeption von Hybridität verhält.
From May 31st to June 4th, 2016, the 7th International European conference on pre-Columbian textiles was held in Copenhagen. This volume unites seven original articles on pre-Columbian textiles from Mexico, which compare information on 20th century finds first described by Alba Guadelupe Mastache with that from previously unpublished finds and recently discovered contexts. A unique chapter presents the technical analysis and replication of a pre-Columbian tunic recovered in a cave site in Arizona, at the northern margins of the Mesoamerican interaction sphere. Thirteen articles on archaeological textiles from the central Andes include analysis of both textile assemblages preserved in museum collections and those recovered during recent fieldwork in archaeological sites of the Andean desert coast. These include textile assemblages representing the Initial and Formative Periods, Paracas and Nasca contexts, the Middle Horizon, diverse late Intermediate Period assemblages and emblematic Inca garments.
Through the centuries, women have used textiles to express their ideas and political opinions, creating items of utility that also function as works of art. Beginning with medieval European embroideries and tapestries such as the Bayeux Tapestry, this book examines the ways in which women around the world have recorded the impact of war on their lives using traditional fabric art forms of knitting, sewing, quilting, embroidery, weaving, basketry and rug making. Works from the United States, Canada, Latin America, Asia, the Middle and Near East, and Oceania are analyzed in terms of content and utility, and cultural and economic implications for the women who created them are discussed. Traditional women's work served to document the upheaval in their lives and supplemented their family income. By creating textiles that responded to the chaos of war, women developed new textile traditions, modified old traditions and created a vehicle to express their feelings.