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When 14-year-old Saskia Bailey's writing was shown by her father, Beezy, to David Bowie in 2013, the legendary music icon responded: "Watch out e.e cummings." Family friend and world renowned muso/ producer, Brian Eno said, "Scary". Whatever is the thrillingly frank, sheet tearingly honest and sometimes hilariously dark memoir of now 19-year-old Saskia. Brought up by two eccentric artist parents and the granddaughter of Drum founder Jim Bailey, Saskia grows up in an extraordinary home where a train station of wildly interesting local and international guests form the wallpaper of her childhood. There's Hugh Masekela, the creepy Chinese patron, the British High Commissioner and the real 'Lady...
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The breathtaking second book from the author of Orangeboy, winner of the Waterstones Children's Book Prize for Older Readers, the YA Book Prize, the CrimeFest award, and shortlisted for the Costa Book Award . Praise for Orangeboy: "A truly brilliant book." Malorie Blackman "Incredible book. Thank you Patrice Lawrence for such a fresh and riveting piece of fiction." Ben Bailey Smith (Doc Brown) Seventeen-year-old Indigo has had a tough start in life, having grown up in the care system after her dad killed her mum. Bailey, also seventeen, lives with his parents in Hackney and spends all his time playing guitar or tending to his luscious ginger afro. When Indigo and Bailey meet at sixth form, serious sparks fly. But when Bailey becomes the target of a homeless man who seems to know more about Indigo than is normal, Bailey is forced to make a choice he should never have to make. A life-affirming story about falling in love and everyone's need to belong.
Australia — and the world — is changing. On the Great Barrier Reef corals bleach white, across the inland farmers struggle with declining rainfall, birds and insects disappear from our gardens and plastic waste chokes our shores. The 2019–20 summer saw bushfires ravage the country like never before and young and old alike are rightly anxious. Human activity is transforming the places we live in and love. In this extraordinarily powerful and moving book, some of Australia's best-known writers and thinkers — as well as ecologists, walkers, farmers, historians, ornithologists, artists and community activists — come together to reflect on what it is like to be alive during an ecologica...
Saskia Granton is intrigued by an invitation to visit her reclusive great-aunt Alessandra, who lives on the Scottish coast. It's a chance to rediscover her lifelong love of the sea - and to forget, if only for a few weeks, the boring career her parents have mapped out for her. Swept immediately into the rhythm of life in a fishing community, Saskia slowly begins to realize how little she really knows about her roots. Somehow, she needs to understand the past if she is to find the direction she needs for her future - a future that may or may not include her new friend Ben. Just as the sea gives up its bounty, so too her great-aunt must reveal the secrets of the past - the terrible toll of lives lost, and the very personal tragedy that left Alessandra herself so isolated. Only then can Saskia break free . . .
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The culmination of an innovative practice research project, Michael Chekhov in the Twenty-First Century: New Pathways draws on historical writings and archival materials to investigate how Chekhov's technique can be used across the disciplines of contemporary performance and applied practice. In contrast to the narrow, actor training-only analysis that dominated 20th-century explorations of the technique, authors Cass Fleming and Tom Cornford, along with contributors Caoimhe McAvinchey, Roanna Mitchell, Daron Oram and Sinéad Rushe, focus on devising, directing and collective creation, dramaturgy and collaborative playwriting, scenography, voice, movement and dance, as well as socially-engaged and therapeutic practices, all of which are at the forefront of international theatre-making. The book collectively offers a thorough and fascinating investigation into new uses of Michael Chekhov's technique, providing practical strategies and principles alongside theoretical discussion.
Kyra and Katya are super girls. At the same time they are Saskia and Saskia, a couple of normal teenage girls. Naturally they can't spend all their time as the SuperTwins, so the Saskias have ordinary jobs to go to, and ordinary lives to lead. Despite that, they are always on hand to use their powers to deal with disasters like tornados, train crashes, and a collapsed school. Occasionally they have to use their powers while being the Saskias, saving the Prime Ministers life and subduing a gunman at the plant where they work being a case in point. Sometimes it's nice to use those powers just for themselves, on a day out, to the Moon! Their ability to travel in time sees them appear on TV, both as the Saskias and the SuperTwins - at the same time. Just because they look like Saskia and Saskia instead of Kyra and Katya doesn’t stop them helping people to achieve what they want in life, Rio gets to do what she wants, with a little help from the girls as they compete against each other in racing cars.
This book offers a systematic historical analysis of the relationships between migration and the development of cities, including their physical, economic, and cultural evolution. The volume results from a comparative project that examines the interface between migration and the development of cities throughout different periods including current conditions. Nine strategic sites are examined: Three cities in Europe, three in Latin America and three in North America. The editors contribute to the analysis by summarizing lessons from the cases discussed and by providing a glimpse at the relevance of the study of migration and cities historically. Urbanization and Migration in Three Continents will be a key resource for academics, researchers, and students of sociology, migration studies, race and ethnic studies, history, anthropology, urban studies, and economics. This book was originally published as a special issue of Ethnic and Racial Studies.