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* A new book of atmospheric landscape photographs by Dutch visual artist Saskia Boelsums, Dutch Artist of the Year 2020* Her second book, and the first to include photographs taken on trips to Germany, Switzerland and New York"Boelsums' interplay of sky and light and land, her overwhelming and yet intimate photos add a magnificent touch to what might initially appear nondescript."- Manon Uphoff Quotes from the jury who selected Saskia Boelsums as the Dutch Artist of the Year in 2020: "Vivid photography worthy of the old Dutch masters!" "Exceptionally beautiful landscape photos: Saskia introduces a completely new style to this discipline." "Her work moves me and repeatedly renders me speechle...
"This book provides a denationalized historical contextualization and comparative analysis of the Philippine, Indonesian, and Vietnamese revolutions. It emphasizes and evidences the importance of international circumstances and transoceanic and transcontinental cosmopolitan communities and connections-whether republican, Communist, Islamic, or otherwise- in enabling and impelling these three instances of revolutionary mobilization in Southeast Asia and in shaping their varying trajectories and outcomes"--
“ Eight years under the mast ” is the story of a dream fulfilled. A journey around the world on a thirty-three foot sailboat. The author takes the reader from an idea and proceeds in steps facing the reality of pursuing a vision many have. It will not be easy removing oneself from society and walking away from friends and family. Can a man write his own destiny? Is the risk of adventure worth the hardships sure to follow. Is paradise to be found? Maybe some of these questions will be answered in the readers mind as he is transported to new and strange worlds. Explore new thoughts and introspection as the author asks many critical questions of his own life. Sail with Bonnie and Gary on “ The Road Not Taken ” and take a road less traveled and wanting wear.
Adsensory sign technology, which depicts the human body as both object and subject of inscriptive advertising technologies, is integral to a western capitalist insurantial financialisation of health and wellbeing. Developing further the theme of adsensory technologies of the sign, in conjunction with Daniel Bell’s theory of the codification of knowledge as an axial feature of the structuring of post-industrial society, this book explores gentrification in heterotopic post-industrial urban spaces. It brings together case studies from the City of Bath’s decommissioned Bath Press print works; London’s Trafalgar Square busking community and its dialectics of audio-sensory gentrification; a...
Communicating & Relating offers an account of how human relating emerges in everyday communicating: an account of how, as participants engage one another in everyday talk and conduct, they mutually constitute actions and meanings, and in so doing constitute both their relationships with one another and what is known across cultures as face.
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In the world of law enforcement art and antiquity crime has in the past usually assumed a place of low interest and priority. That situation has now slowly begun to change on both the local and international level as criminals, encouraged in part by the record sums now being paid for art treasures, are now seeking to exploit the art market more systematically by means of theft, fraud and looting. In this collection academics and practitioners from Australasia, Europe and North America combine to examine the challenges presented to the criminal justice system by these developments. Best practice methods of detecting, investigating, prosecuting and preventing such crimes are explored. This book will be of interest and use to academics and practitioners alike in the areas of law, crime and justice.
A Guide to British television programmes shown at Christmas time, throughout the years.
This book examines who is performing, managing, governing and controlling the securitization and policing of art theft in London. Through giving the first map of the policing and securitization of one of the world’s largest centres of art, it helps our understanding of art security at city, national and international levels and offers practical recommendations for those who operate within art security. Providing the first clear single account of the London art security terrain, this book also advances current knowledge of policing, environmental criminology and insurance. Moreover, it adds to the previous research into the traditionally restricted worlds of private policing, public policing and the art world.