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Sathima Bea Benjamin
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Musical Echoes
Musical Echoes tells the life story of the South African jazz vocalist Sathima Bea Benjamin. Born in Cape Town in the 1930s, Benjamin came to know American jazz and popular music through the radio, movies, records, and live stage and dance band performances. She was especially moved by the voice of Billie Holiday. In 1962 she and Dollar Brand (Abdullah Ibrahim) left South Africa together for Europe, where they met and recorded with Duke Ellington. Benjamin and Ibrahim spent their lives on the move between Europe, the United States, and South Africa until 1977, when they left Africa for New York City and declared their support for the African National Congress. In New York, Benjamin established her own record company and recorded her music independently from Ibrahim. Musical Echoes reflects twenty years of archival research and conversation between this extraordinary jazz singer and the South African musicologist Carol Ann Muller. The narrative of Benjamin’s life and times is interspersed with Muller’s reflections on the vocalist’s story and its implications for jazz history.
Africa Speaks, America Answers
In Bedford-Stuyvesant, Brooklyn, pianist Randy Weston and bassist Ahmed Abdul-Malik celebrated with song the revolutions spreading across Africa. In Ghana and South Africa, drummer Guy Warren and vocalist Sathima Bea Benjamin fused local musical forms with the dizzying innovations of modern jazz. These four were among hundreds of musicians in the 1950's and '60's who forged connections between jazz and Africa that definitively reshaped both their music and the world. Each artist identified in particular ways with Africa's struggle for liberation and made music dedicated to, or inspired by, demands for independence and self-determination. That music was the wild, boundary-breaking exultation ...
Women Singers in Global Contexts
Exploring and celebrating individual lives in diverse situations, Women Singers in Global Contexts is a new departure in the study of women's worldwide music-making. Ten unique women constitute the heart of this volume: each one has engaged her singing voice as a central element in her life, experiencing various opportunities, tensions, and choices through her vocality. These biographical and poetic narratives demonstrate how the act of vocalizing embodies dynamics of representation, power, agency, activism, and risk-taking. Engaging with performance practice, politics, and constructions of gender through vocality and vocal aesthetics, this collection offers valuable insights into the experiences of specific women singers in a range of sociocultural contexts. Contributors trace themes and threads that include childhood, families, motherhood, migration, fame, training, transmission, technology, and the interface of private lives and public identities.
Focus
First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
Inventing Africa
Inventing Africa is a critical account of narratives which have selectively interpreted and misinterpreted the continent's deep past. Writers have created alluring images of lost cities, vast prehistoric migrations and golden ages of past civilizations. Debates continue on the African origins of humankind, the contributions of ancient Egypt to the world and Africa's importance to global history. Images of "Africa," simplifying a complex and diverse continent, have existed from ancient Mediterranean worlds, slave trading nations and colonial powers to today's political elites, ecotourists and aid-givers. Robin Derricourt draws on his background as publisher and practitioner in archaeology and history to explore the limits and the dangers of simplifications, arguing -- as with Said's concept of "Orientalism" -- that ambitious ideas can delude or oppress as well as inform. Defending Africa against some of the grand narratives that have been imposed upon its peoples, Inventing Africa will spark new debates in the history of Africa and of archaeology.
Sounding the Cape
For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He...
Composing Apartheid
Composing Apartheid is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid’s social and political topography, as well as how music and musicians contested and even helped to conquer apartheid. The collection of essays is intentionally broad, and the contributors include historians, sociologists and anthropologists, as well as ethnomusicologists, music theorists and historical musicologists. The essays focus on a variety of music (jazz, music in the Western art tradition, popular music) and on major composers (such as Kevin Volans) and works (Handel’s Messiah). Musical institutions and previously little-researched performers (such as the African National Congress’s troupe-in-exile, Amandla) are explored. The writers move well beyond their subject matter, intervening in debates on race, historiography, and postcolonial epistemologies and pedagogies.
The Blacks of Cape Town
Historian, Zara Black, is far from home, trying to come to terms with her family's past. The unearthing begins with her grandfather who concealed his race to escape the harsh realities of the diamond mines before ultimately changing his name to Isaiah Black. Subtly and astutely, C.A. Davids weaves a narrative that shifts between past and present and contemporary South African and American politics, to examine betrayal and displacement. Historian, Zara Black, is far from home, trying to come to terms with her family's past. The unearthing begins with her grandfather who concealed his race to escape the harsh realities of the diamond mines before ultimately changing his name to Isaiah Black. S...
The Story of South African Jazz Volume One
A COMPILATION OF COMMENTARIES AND INTERVIEWS FOR THE JAZZ ENTHUSIAST THE MUSIC LOVER. Interviews with Moses Molelekwa, Robbie Jansen, Gito Baloi, Ezra Ngcukana, Miriam Makeba, Louis Moholo, Theo Bophela, Hugh Masekela, Sathima Bea Benjamin, Carlo Mombelli, Marcus Wyatt, Claude Deppa, Morris Goldberg, Abdullah Ibrahim, Moses Khumalo, Vince Colbe, Mr Brookes, Mac Mackenzie and the Goema Captains of Cape Town. Together with running commentary of a life lived and learned through the lens of heart centred South African jazz musical vibration.The Story of SA Jazz Volume One isa great journey into exposing one of the most profound musical languages to ever come out of this country. Jazz it is said is the classical music of the 20th century. Through a collection of interviews, articles and commentaries, 'The Story of SA Jazz Volume One' exposes the extraordinary role South African musicians have played in the development of jazz music and humanity worldwide.
