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The Spirit of Lagaan
Sequence of events that went into the making of the Hindi film Lagaan.
Who Do You Think You're Kidding?
The twenty-first century is a tough place for a child. The competition is razor-edged, the temptations myriad. Gone are the days when children played catch in the neighbourhood, ate what they were given, and went to bed by 9. Now it’s all about staying ahead of the game, being in the know, having the latest gizmos. How does one then raise a happy and well-rounded child amid the pressures of this new age? In Who Do You Think You’re Kidding? acclaimed educationist Lina Ashar shows you how to: • prepare your child for a competitive new world by choosing what they want to study • shift focus from book-based studying to creative higher education • deal with adolescence • discover your child’s true potential. Based on her experiences and research, as a parent and teacher, this book will equip Indian parents with the right tools to guide their children on the right path.
Hero and Hero-Worship: Fandom in Modern India
In the aftermath of liberalization of Indian economy in 1991, the study of star-fan studies has experienced exponential expansion. Hero and Hero-Worship: Fandom in Modern India explores the areas of political, religious, film and cricket star fandoms; analyzing the rise of star formations and their consequent fandoms, star-fan bonds, as well as the physical and virtual space that both stars and fans inhabit. As perhaps one of the first book-length studies on Indian fandom, this volume not only draws on the works of Jenkins and other fandom scholars, but also explores the economic and cultural specificities of Indian fandom. This book will be of particular interest to scholars working in the field, as well as general readers interested in understanding star-fan interactions and intersections.
Networked Bollywood
Networked Bollywood provides interdisciplinary analysis of the role of the stars in the transformation of Hindi cinema into a global entertainment industry. The first Indian film was made in 1913. However, filmmaking was recognized as an industry almost a hundred years later. Yet, Indian films have been circulating globally since their inception. This book unearths this oft-elided history of Bollywood's globalization through multilingual, transnational research and discursive cultural analysis. The author illustrates how over the decades, a handful of primarily male megastars, as the heads of the industry's most prominent productions and corporations, combined overwhelming charismatic affect with unparalleled business influence. Through their “star switching power,” theorized here as a deeply gendered phenomenon and manifesting broader social inequalities, India's most prominent stars instigated new flows of cinema, industrial collaborations, structured distinctive business models, influenced state policy and diplomatic exchange, thereby defining the future of Bollywood's globalization.
World Cinema, Theology, and the Human
Forging an open-minded but reasoned dialogue between nine acclaimed titles of world cinema, and a range of theological perspectives that touch on the theme of human experience, World Cinema, Theology, and the Human offers fresh portals of insight for the interdisciplinary area of Theology and Film. In Sison’s approach, it is the cinematic representation of vivid humanity, not necessarily propositional statements about God and religion, that lays down a bridge to a conversation with theology. Thus, the book’s project is to look for the divine presence, written not on tablets of stone, but on "tablets of human hearts" depicted on screen by way of audiovisual language. Seeking to redress th...
My Corporate Odyssey
Please accept my best wishes for the successful launch of the English edition of your book. – Ratan N Tata I wish more people like you, salt of the earth, take to writing their memoirs. – Harish Salve A remarkable journey from Dapoli in Ratnagiri to the hallowed board rooms of corporate India. It is a gripping story of his career. But more importantly, it can be a great motivation for youngsters who want to succeed in the corporate world. – George Varghese Early in my career, I read a beautiful book. ‘What they don’t teach you at Harvard Business school’. I am especially reminded of it today. Here is empirical knowledge that is not taught in any company secretary course or MBA program. – Dr. Uday Nirgudkar
Sport in South Asian Society
A detailed study of sports' arrival, spread and advance in colonial and post-colonial South Asia. A selection of articles addresses critical issues of nationalism, communalism, commercialism and gender through the lens of sport. This book makes the point that the social histories of South Asian sport cannot be understood by simply looking at the history of the game in one province or region. Furthermore, it demonstrates that it would be wrong to understand sport in terms of the exigencies of the colonial state. Drawing inspiration from C.L.R. James' well-known epigram, 'What do they know of cricket who only cricket know?' the findings suggest that South Asian sport makes sense only when it is placed within the broader colonial and post-colonial context. The book demonstrates that sport not only influences politics and vice versa, but that the two are inseparable. Sport is not only political, it is politics, intrigue, culture and art. To deny this is to denigrate the position of sport in modern South Asian society. This volume was previously published as a special issue of The International Journal of the History of Sport.
