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In contemporary India, as one side of the coin celebrates traditional stereotypes, the other side subverts the same image, sometimes subtly, but often radically. The push and pulls of these factors are changing the cultural landscape of India decisively. This volume critiques media representations of popular culture and gender since the 1950s and tracks the changes that have taken place in Indian society. The authors give us incisive analyses of these transformations, represented through the candid lens of the camera in films, television, advertisements and magazines, all of which focus on gender and familial representations and patriarchal norms in Indian society. The strength of this book is that it rejects grand narratives in favor of the micro-politics of daily living. In the course of exploring the metamorphosis of India, the authors succeed in dissolving the boundaries between mass/low culture, elite/high culture and local/national/global affiliations.
Anshumansimple and sweet engineering student want love in his life.The love game starts when Tanisha, medical student cames into his lifeEverything was perfect for themAnshuman is ready to die 100 deaths for Tanisha whereas Tanisha is ready to take 100 births for AnshumanSo..get ready to travell the journey of love with fun, mysteries and joy with an Engineer and Doctor
A refreshing read in terms of its take on the issue of hate speech, hurt, and politics of it. The currency of “hurt” as a claim to, and pretext for, political correctionism—and often taking recourse to the logic of the antipopular as anti-State—has erected a machinery of censorship governed by the economies and excesses of a “marketplace of outrage.” This volume seeks to map this ready vocabulary of a potential victimhood and its consequent excuse for repressive regimes of State vigilantism. It investigates the ways in which such “hurt” is expressed and abetted by the State or its actors, staged by popular media and often subsumed as public opinion. It builds the necessary structure of argument around the idea of “hurt” with reference to recent political events, the history of sentimental mobilizations and various kinds of censorship attempts in India.
Morning Analysis CEO Buster Das has been found dead in his office with his head bashed in. When unlikely detective duo Sandesh Solvekar and Mona Ramteke make it their mission to catch the reckless criminal, they find themselves knee-deep in Mumbai’s sordid world of dissolute starlets, business moguls and a sell-out media, even as they attempt to deal with a dysfunctional police machinery and their own secret lives. The list of suspects is also turning out to be a headscratcher: there’s the eccentric editor-in-chief; the irreverent dating editor; and several vice-presidents who would kill to be CEO. A whodunit as wicked as it is irresistible, this is a cracker of a novel that takes Indian crime writing to dazzling new heights.
Chuck Todd's gripping, fly-on-the-wall account of Barack Obama's tumultuous struggle to succeed in Washington. Barack Obama won the presidency in 2008 partly because he was a Washington outsider. But if he'd come to the White House thinking he could change the political culture, he soon discovered just how difficult it was to swim against an upstream of insiders, partisans, and old guard networks allied to undermine his agenda---including members of his own party. He would pass some of the most significant legislation in American history, but his own weaknesses torpedoed some of his greatest hopes. In THE STRANGER, Chuck Todd draws upon his unprecedented inner-circle sources to create a gripping account of Obama's White House tenure, from the early days of drift and helplessness to a final stand against the GOP in which an Obama, at last liberated from his political future, finally triumphs.