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Spaces for Shaping the Nation
As spaces of knowledge, the national museums and galleries of nineteenth-century Europe played an important role both in the shaping of nation-states and the education of their populations. In this context, such institutions sought to convey the history of the people, for example by displaying pictorial cycles of important scenes from their history, exhibiting objects associated with certain formative events, or arraying period rooms to promote a specific impression of the past. The contributions to this volume examine the purposes and educational strategies of national museums and national galleries via case studies from Denmark, France, Germany, Great Britain, Italy, the Netherlands, Poland, Sweden, and Switzerland.
Tools, Weapons and Ornaments
This illustrated book continues themes in Central European cultural history treated elsewhere with the intention of presenting an interdisciplinary study of early medieval socio-cultural developments. A continuation of the preceding books, this volume examines the archeological evidence of the groups who settled Central Europe. It aims to amplify the information recorded during the late Roman Empire about societies, social dynamics and ethnological contexts by examining their material culture. The language of significant objects complements the literature of significant texts. The three parts of the book inform of the historical and archeological evidence; elaborate the socio-cultural conclusions provided by archeology; examine the system of values as reflected in the forms of artistic expression. The study of objects helps clarify the contours of the Germanic populations of pre-Carolingian Central Europe.
Medieval Tapestries in the Metropolitan Museum of Art
A study of the condition, subject, design, manufacture, ownership, and exhibitions for each tapestry or set of tapestries in the Museum's medieval tapestry collection. -- Metropolitan Museum of Art.
Throne of Wisdom
The wooden statue of the Mother and Child enthroned, known as sedes sapientiae, the Seat or Throne of Wisdom, reached the brilliant culmination of its development as a genre of religious sculpture in the twelfth century. As a visible expression of the mystery of Incarnation, its iconography dated back to the early church. Translated by the Romanesque sculptor into a fully plastic, freestanding form, its style conveys convincingly the medieval vision of humanity and divinity interfused. The recent cleaning and restoration of a number of these wood-carved figures of the Madonna in Majesty has now made possible a full appraisal of the genre. Mrs. Forsyth's discussion examines the character, fun...
St. John the Divine
Throughout the Middle Ages, John the Evangelist, identified as the author of both the Book of Revelation and the most profound and theologically informed of the four Gospels, provided monks and nuns with a figure of inspiration and an exemplar of vision and virginity. Rather than the historical apostle, this book's protagonist is a persona of the Evangelist established in theology, the liturgy, and devotional practice: the model mystic, who, by virtue of his penetrating insight, was seen as having become a mirror image of Christ. In St. John the Divine, Jeffrey Hamburger identifies a remarkable set of images from the ninth to the fifteenth centuries that identify the inspired Evangelist so c...
The Primacy of the Image in Northern European Art, 1400–1700
The Primacy of the Image in Northern Art 1400-1700: Essays in Honor of Larry Silver is an anthology of 42 essays written by distinguished scholars on current research and methodology in the art history of Northern Europe of the late medieval and early modern periods. Written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania, the topics are inspired by Professor Silver’s renowned scholarship in these areas: Early Netherlandish Painting and Prints; Sixteenth-Century Netherlandish Painting; Manuscripts, Patrons, and Printed Books; Dürer and the Power of Pictures; Prints and Printmaking; and Seventeenth-Century Painting. Studies of specific artists include Hans Memling, Albrecht Dürer, Hans Baldung Grien, Hieronymus Bosch, Pieter Bruegel, Hendrick Goltzius, and Rembrandt.
