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Did You Kill Anyone?
Most American soldiers in Iraq had a deep, thick plastic box called a guerrilla box which usually sat at the end of their cot. Soldiers would keep all kinds of things in their box. Weapon cleaning kits. Extra equipment. Blankets and pillows from home. Footballs. Protein powder. Mine was full of books. These are not confessions. Nor are they essays. Nothing is off the table in Did You Kill Anyone?, a hybrid compendium of thoughts and observations whose narrative thrust is propelled and shaped by the inquiry itself. Drawing from and elaborating on years of the author’s work on the peripheries of this subject, published in such outlets as The Paris Review, The Atlantic, Rolling Stone, and The American Conservative, Did You Kill Anyone? asks a question that is rarely, if ever, discussed publicly: ‘why do soldiers miss war?’. With the intimacy of a memoir and the force of a critical analysis, Scott Beauchamp gives his daring, counterintuitive take, interrogating the frivolous conformity of our increasingly inhuman(e) culture.
The Disappearance of Rituals
Untrammelled neoliberalism and the inexorable force of production have produced a 21st century crisis of community: a narcissistic cult of authenticity and mass turning-inward are among the pathologies engendered by it. We are individuals afloat in an atomised society, where the loss of the symbolic structures inherent in ritual behaviour has led to overdependence on the contingent to steer identity. Avoiding saccharine nostalgia for the rituals of the past, Han provides a genealogy of their disappearance as a means of diagnosing the pathologies of the present. He juxtaposes a community without communication – where the intensity of togetherness in silent recognition provides structure and...
A Working Theory of Love
A Working Theory of Love by Scott Hutchins is a recklessly witty, outrageously honest novel about sex, love and artificial intelligence. 'Tremendous, big, clever. Every once in a while a novel comes along and speaks to a generation ... has much to say about what it means to live, love and lose in the twenty-first century' Guardian Silicon Valley: home of online start-ups, couture coffee, sexual meditation, and the future. In its midst, Neill Bassett is helping to build the world's first artificial intelligence - a computer that talks, thinks, lies, and if all goes to plan, feels bad about it too. But when the experiment swerves in an unexpected direction, Neill is forced to confront a few bu...
Freedom from Reality
Presents a critique of the deceptive and ultimately self-subverting character of the modern notion of freedom, retrieving an alternative view through a new interpretation of the ancient tradition.
Fictionalizing Anthropology
What might become of anthropology if it were to suspend its sometime claims to be a social science? What if it were to turn instead to exploring its affinities with art and literature as a mode of engaged creative practice carried forward in a world heterogeneously composed of humans and other than humans? Stuart McLean claims that anthropology stands to learn most from art and literature not as “evidence” to support explanations based on an appeal to social context or history but as modes of engagement with the materiality of expressive media—including language—that always retain the capacity to disrupt or exceed the human projects enacted through them. At once comparative in scope ...
Ancestral Shadows
Widely regarded as the founder of the modern conservative movement, Russell Kirk was a noted man of letters whose prodigious literary output included a syndicated newspaper column, a regular page in "National Review," and many books. This volume demonstrates another compelling side of Kirk -- the imaginative author who could communicate his powerful vision through the dramatic genre of the ghost story. "Ancestral Shadows" collects nineteen of Kirkbs best ghostly tales from periodicals and anthologies published throughout his life. In the tradition of Defoe, Stevenson, Hawthorne, Coleridge, Poe, and other master writers, these frightful stories conjure the creaks and shadows of the very place...
Spirits in Bondage
@Published in 1919 when Lewis was only twenty, these early poems give an insight into the author's youthful agnosticism. The poems are written in various metrical forms, but are unified by a central idea, expressing his conviction that nature was malevolent and beauty the only true spirituality. Preface by Walter Hooper.@@
