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A riveting novel about the aftermath of a brutal murder of three teenage girls, written in incantatory prose ‘that's as fine as any being written by an American author today’ (Ben Fountain)
Fiction. Winner of the 2007 AWP Award for the Novel. Robert Eversz, Judge. "WE AGREED TO MEET JUST HERE is a lyrical mystery about disappearance, told in precise and luminous prose. A young lifeguard in an Austin suburb vanishes one night while returning from a screening of The Third Man. A doctor, ill with cancer, goes missing from his home, and is later seen, bearded and ragged, wandering the aisles of a grocery store. A car is stolen, the unseen consequences tragic. One child is given up to adoption, another is lost up a tree. The absences are so keenly felt, in the drifting lucidity of the author's sentences, that every reappearance reads like a small miracle"--Robert Eversz.
Scott's Shadow is the first comprehensive account of the flowering of Scottish fiction between 1802 and 1832, when post-Enlightenment Edinburgh rivaled London as a center for literary and cultural innovation. Ian Duncan shows how Walter Scott became the central figure in these developments, and how he helped redefine the novel as the principal modern genre for the representation of national historical life. Duncan traces the rise of a cultural nationalist ideology and the ascendancy of Scott's Waverley novels in the years after Waterloo. He argues that the key to Scott's achievement and its unprecedented impact was the actualization of a realist aesthetic of fiction, one that offered a socia...
In Scott Blackwood's debut collection of thematically linked stories, people live on the cusp of the past and present, saddled with the knowledge that "sometimes what you're thinking can't be dovetailed with what you do.” Set in Austin, Texas, the nine stories are told in spare language freighted with a sense of loss and dread, responsibility and fate. The characters in Blackwood's narratives face the result of the irrevocable choice they've made, accept their losses, and attempt to forge something meaningful out of what remains of their frayed connections to one another. In "Alias,” a man grapples with the decision to kidnap his step-daughter's child and raise her himself. During a medi...
The premise of Chittick's study is that the national discourse found in British periodical literature of 1802-30 is crucial to an understanding of the literary language of the era.
This collection of essays is the result of a major conference focusing specifically on the role of Scotland’s print culture in shaping the literature and politics of the long eighteenth century. In contrast to previous studies, this work treats Blackwood’s Magazine as the culmination of a long tradition rather than a starting point.
Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the "Blackwood's Magazine" between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of "Blackwood's Magazine".