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In this thought-provoking new book, Anthony Smith analyses key debates between historians and social scientists on the role of nations and nationalism in history. In a wide-ranging analysis of the work of historians, sociologists, political scientists and others, he argues that there are three key issues which have shaped debates in this field: first, the nature and origin of nations and nationalism; second, the antiquity or modernity of nations and nationalism; and third, the role of nations and nationalism in historical, and especially recent, social change. Anthony Smith provides an incisive critique of the debate between modernists, perennialists and primordialists over the origins, development and contemporary significance of nations and nationalism. Drawing on a wide range of examples from antiquity and the medieval epoch, as well as the modern world, he develops a distinctive ethnosymbolic account of nations and nationalism. This important book by one of the world’s leading authorities on nationalism and ethnicity will be of particular interest to students and scholars in history, sociology and politics.
This book is Lash's most comprehensive statement in social and cultural theory. It is a book addressed to sociologists and philosophers, to students of urban life, modern languages, cultural studies and the visual arts. Alongside the Enlightenment has emerged another modernity. This second modernity has - in opposition to the Enlightenment rationality of progress, order, homogeneity and cognition - initiated a different rationality of uncertainty, transience, experiment, and the unknowable. This second, this other modernity, is present in notions of 'difference' and 'reflexivity' so central to the contemporary world-view. The logic, however, of such notions can, itself, lead to the same unha...
This penetrating book raises questions about how power operates in contemporary society. It explains how the speed of information flows has eroded the separate space needed for critical reflection. It argues that there is no longer an ′outside′ to the global flows of communication and that the critique of information must take place within the information itself. The operative unit of the information society is the idea. With the demise of depth reflection, reflexivity through the idea now operates external to the subject in its circulation through networks of humans and intelligent machines. It is these ideas that make the critique of information possible. This book is a major testament to the prospects of culture, politics and theory in the global information society.
Contemporary culture, today′s capitalism - our global information society - is ever expanding, is ever more extensive. And yet we seem to be experiencing a parallel phenomenon which can only be characterised as intensive. This thought provoking, innovative book is dedicated to the study of such intensive culture. Whilst extensive culture is a culture of the same: a culture of fixed equivalence; intensive culture is a culture of difference, of in-equivalence - the singular. Intensities generate what we encounter. They are virtuals or possibilities, always in process and always in movement. We thus live in a culture that is both extensive and intensive. Indeed the more globally stretched and...
Three prominent social thinkers discuss how modern society is undercutting its formations of class, stratum, occupations, sex roles, the nuclear family, and more. Reflexive modernization, or the way one kind of modernization undercuts and changes another, has wide ranging implications for contemporary social and cultural theory, as this provocative book demonstrates.
This authoritative and revealing book provides the first sociological examination of postmodernism. Lash examines the differences between modernism and postmodernism, providing a clear explanation of why postmodernism is important.
In the first half of the twentieth century, Theodor Adorno wrote about the 'culture industry'. For Adorno, culture too along with the products of factory labour was increasingly becoming a commodity. Now, in what they call the 'global culture industry', Scott Lash and Celia Lury argue that Adorno's worst nightmares have come true. Their new book tells the compelling story of how material objects such as watches and sportswear have become powerful cultural symbols, and how the production of symbols, in the form of globally recognized brands, has now become a central goal of capitalism. Global Culture Industry provides an empirically and theoretically rich examination of the ways in which these objects - from Nike shoes to Toy Story, from global football to conceptual art - metamorphose and move across national borders. This book is set to become a dialectic of enlightenment for the age of globalization. It will be essential reading for students and scholars across the social sciences.
This is a novel account of social change that supplants conventional understandings of society' and presents a sociology that takes as its main unit of analysis flows through time and across space. Developing a comparative analysis of the UK and US, the new Germany and Japan, Lash and Urry show how restructuration after organized capitalism has its basis in increasingly reflexive social actors and organizations. The consequence is not only the much-vaunted postmodern condition' but also a growth in reflexivity. In exploring this new reflexive world, the authors argue that today's economies are increasingly ones of signs - information, symbols, images, desire - and of space, where both signs and social subjects - refugees, financiers, tourists and "fl[ci]aneurs " - are mobile over ever greater distances at ever greater speeds.