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My Only Great Passion
In an industry that celebrates extravagance and showmanship, Danish film director Carl Th. Dreyer was a rarity, a man who guarded his privacy fiercely and believed that film provided a way to understand human nature by focusing on the individual person. Best known for his 1928 film The Passion of Joan of Arc, dominated by its emotionally harrowing close-ups of Joan during her trial, it was Dreyer who pioneered some of the seminal techniques of modern film, techniques that would later be made famous by better known contemporaries such as Sergei Eisenstein and D.W. Griffith. Now, in My Only Great Passion, the first full-length English language biography of Dreyer, Jean and Dale D. Drum restore...
Wife of the Life of the Party
Wife of the Life of the Party is the memoir of the late Lita Grey Chaplin (1908-1995), the only one of Chaplin's wives to have written an account of life with Chaplin. Her memoir is an extraordinary Hollywood story of someone who was there from the very beginning. Born Lillita Louise MacMurray in Hollywood, she began her career at twelve with the Charlie Chaplin Film Company, when Chaplin selected her to appear with him as the flirting angel in The Kid. When she was fifteen, Chaplin signed her as the leading lady in The Gold Rush and changed her name to Lita Grey. She was forced to leave the production when, at the age of sixteen, she became pregnant with Chaplin's child. She married Chaplin...
The Divine Comic
Roberto Benigni, the Italian comedian, actor, director, and writer, gained international fame when his film La vita è bella/ Life Is Beautiful (1997) won three Oscars in 1999, including Best Foreign Film and Best Actor. Benigni has been a steady presence in Italian popular culture since the mid-1970s. This book introduces Benigni's performances in film, stage, and television, little known outside of Italy, with an emphasis on the cultural and intellectual backdrops that characterize his films, including his origins among the Tuscan rhyming poets and his experiences in the Roman avant-garde theater. Benigni's statements about his experiences and apprenticeships with cinema notables like Cesare Zavattini and Federico Fellini reveal a wealth of fresh information and confirm the sense that there is more to this madcap buffoon than meets the eye.
Neo-Romantic Landscapes
Neo-Romantic Landscapes offers a reappraisal of the 1940s films of Powell and Pressburger focusing on their use of landscape. Questioning the established notion that the two film-makers, owing to their non-British personal roots, are located as un-British and ‘other’, Stella Hockenhull draws a correlation between the two media of film and painting to suggest otherwise. Emphasising the spiritual aspects of landscape and nature at a time when the experience and imagery of the war years generated a particular kind of ‘affect’ arising from the aftermath of destruction, she locates Powell and Pressburger’s wartime films in their historical and cultural context, notably Neo-Romanticism. ...
And the Stars Spoke Back
Becker reminiscences about his work on the sets and in the dressing rooms of Hollywood personalities, providing glimpses into the private lives of a stellar array of actors and actresses. Besides these and other stars, Becker also discloses fascinating details of working with world-famous directors John Huston, William Wyler, Nicholas Ray, Anatole Litvak, René Clément, and Vittorio de Sica.
Perpetually Cool
Anna May Wong was an extraordinary Asian American woman who became the country's most famous film actress of Chinese descent. From small parts in silent films to starring roles in Hollywood and across the Atlantic, Wong made an impression on audiences of all persuasions. In Perpetually Cool, Anthony Chan takes the reader on a compelling journey through Wong's early years in Los Angeles and her first Hollywood pictures. Chan also examines the scope and nature of race, gender, and power and their impact on Wong's personal growth as a Chinese American. Perpetually Cool is not only the captivating story of a cinematic career, but also of roots and identity, as it recounts Wong's desire to connect with her heritage in the United States and in China. Chan provides extensive textual analyses of Wong's signature films, especially The Toll of the Sea (1922), The Thief of Bagdad (1924) with Douglas Fairbanks, and her most famous role as Hui Fei in Shanghai Express (1932), opposite Marlene Dietrich. Perpetually Cool is a fitting tribute to the influence of this Chinese American icon.
Mr. Bernds Goes to Hollywood
Edward Bernds came to Hollywood in 1928 to help United Artists make the transition to sound. He worked with some of the most notable directors in Hollywood including Frank Capra, Leo McCarey, and Howard Hawks. Though Bernds loved sound work, he had higher aspirations, and hoped to become a writer and director. His first breakthrough came during the mid-1940s on Columbia shorts starring the Three Stooges. Bernds worked with Moe, Larry, Curly, Shemp, and company for over twenty years as the Stooges' favorite director. A second breakthrough came when he wrote and directed feature length films, among them the science fiction classics: World Without End, Return of the Fly, Spacemaster X7, and Zsa-zsa Gabor's Queen of Outer Space. Edward Bernds witnessed all of the profound changes that Hollywood underwent from the advent of sound to the start of the Easy Rider era. Fortunately for students and fans of film, he tells his story in this fascinating and vivid account of his life in Hollywood.
Life is Beautiful, But Not for Jews
Roberto Benigni's romantic comedy Life is Beautiful enjoyed tremendous success everywhere it was shown. In addition to winning almost every possible film award, including three Oscars, lavish praise and film reviews, it grossed over a quarter of a billion dollars—the most profitable Italian movie ever. Very few have questioned the movie—until now. With sharp, uncompromising logic and eye-opening insight, Niv analyzes the film and its script scene-by-scene to show why Life is Beautiful is very far from being the innocent, charming, and heartwarming film it appears to be. The author argues that the film not only lends support to the central arguments of Holocaust deniers, but is actually a...
3-D Filmmakers
La 4e de couv. porte : "In '3-D filmmakers : conversations with creators of stereoscopic motion pictures', stereographer and film historian Ray Zone presents the insights of twenty-one professionals who have worked in this specialized field. In this collection of interviews, Zone explores the art and craft of 3-D filmmaking with producers, screenwriters, directors, and cinematographers. Interviewees range from Arch Oboler - producer of Bwana Devil, the 1952 feature that triggered the boom of 3-D films - to producers and cinematographers who have worked with single-strip 3-D film production in the 1970s and '80s, 3-D films in theme parks, current IMAX films, and the new and still-evolving format of digital 3-D cinema. These interviews provide a fascinating behind-the-scenes look at more than five decades of this unique medium. This one-of-a-kind book will interest aspiring filmmakers, stereo photography enthusiasts, cinema buffs, devotees of popular culture, and film historians."
The Man Who Knew Hitchcock
As a script supervisor, second unit director, producer, and director, Herbert Coleman's film career spanned seven decades. Active in Hollywood from 1926 through 1988, he enjoyed a lengthy and illustrious career, highlighted by an impressive string of commercial and critical successes with one of the greats of cinema, Alfred Hitchcock. In this memoir, Coleman describes working on such classics as The Big Clock, Carrie, Five Graves to Cairo, For Whom the Bell Tolls, and Roman Holiday. Coleman also provides vivid portraits of the many celebrated stars he worked with, including Gary Cooper, Bing Crosby, Cary Grant, Audrey Hepburn, Grace Kelly, Alan Ladd, Ray Milland, Shirley MacLaine, Steve McQu...
