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Publisher description
"In the Duveen Galleries for the opening of the Centenary Development at Tate Britain, the exhibition includes twenty-three works from the twelfth to the sixteenth centuries, borrowed predominantly from churches across England and Wales. In two essays Deacon and Lindley discuss the sculpture - which once inspired passionate devotion, intense disapproval and even physical violence - from their own distinct perspectives. In 'New Bases For Old Sculpture', Deacon discusses his points of reference for the selection and installation, highlighting the formal aspects of the sculpture. In a three-part essay, Lindley covers the religious Reformation of the sixteenth century, focusing in particular on iconoclasm, and provides a detailed analysis of the individual works selected. The book is illustrated throughout with colour photographs of Deacon's installation, which signals a departure from the conventions of museum display."--Jacket.
First published in 1951, this volume provides a historical study of English sculpture during the medieval period.
"The collection of Italian medieval sculpture in The Metropolitan Museum of Art and The Cloisters began with the acquisition in 1908 of a Romanesque column statue; today the Museum's holdings comprise more than seventy works dating from the ninth to the late fifteenth century ... The birthplaces of these works range from Sicily to Venice; some typify local styles, others illustrate the intense artistic exchanges taking place within Italy and between Italy and the wider world ... Technological advances of the last decades have made it possible to determine more precisely the materials and techniques from which works of art are made, the history of their alteration, and the mechanisms of their...
This is a study of the hidden medieval sculptures of the Romanesque and Gothic periods in France. By analyzing the imagery displayed on carvings, such as those high on the corbels or under the eaves of medieval churches and civic buildings, the author penetrates the alternative cultural world of the artist-craftsman and traces developments and themes.
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The first English-language book to comprehensively discuss the history and methodology of conserving medieval polychrome wood sculpture. Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculpture for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with ...