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Sculpture and the Garden
Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.
The Paper Sculpture Book
Drawing on (s)cul(p)tural paradigms as diverse as paper-doll books, Mad magazine fold-ins and exploded schematic diagrams, the artists in The Paper Sculpture Book offer a hands-on, self-contained art show. Artworks meant to be cut out by the reader and assembled using very basic materials such as tape and rubber bands have been designed by 29 established and emerging contemporary artists, including The Art Guys, Minerva Cuevas, Seong Chun, Nicole Eisenman, Spencer Finch, Rachel Harrison, Stephen Hendee, Patrick Killoran, Glenn Ligon, Helen Mirra, David Shrigley, Sarah Sze, Chris Ware and Allan Wexler. Fred Tomaselli merges images from a birding book and an outdoor-clothing catalogue to create an ironic yet beautiful aviary. Janine Antoni's Crumple provides precise instructions for recreating a crumpled ball of paper, while Luca Buvoli invites the reader to take a pop-up flying lesson from the mysterious Professor M.a.S. Obviously, these are not your elementary-school paper airplanes.
Public Sculpture of Glasgow
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Modelling and Sculpture
"Give(s) in detail every process and method of the sculptor's craft with a fullness to be found in no other works." — Encyclopedia Britannica A student of the great Edouard Lanteri and a celebrated sculptor in his own right, Albert Toft created this manual to offer students every practical detail necessary for a complete knowledge of modeling and sculpture. Both professionals and amateurs will find Toft's experienced guidance a valuable help in surmounting difficulties and avoiding errors. Topics include: •Modelling a portrait bust •Casting •Modelling for terra-cotta, in relief, and for bronze •Modelling in clay as a prelude to working in stone and wood Thirty-six plates and eighty-two line illustrations enhance this manual, and a helpful glossary defines the most common terms.
A Concise History of Modern Sculpture
"Text references" : p. 279-282. Bibliography: p. 283-285.
Sculpture and Touch
This book introduces a new impetus to the discussion of the relationship between touch and sculpture by setting up a dialogue between art historians and individuals who are working in disciplines beyond art history. The collection brings together a diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum, and from the phenomenology of touch in philosophy to the findings of scientific study.
From Rodin to Giacometti
Collection of essays originally presented as papers at a conference at the Scottish National Gallery of Modern Art, Edinburgh, in September of 1996.
Earth and Fire
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