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Hrvatski svjetozor
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The Establishment of the Balkan National States, 1804-1920
This highly readable and thoroughly researched volume offers an excellent account of the development of seven Balkan peoples during the nineteenth and the first part of the twentieth centuries. Professors Charles and Barbara Jelavich have brought their rich knowledge of the Albanians, Bulgarians, Croatians, Greeks, Romanians, Serbians, and Slovenes to bear on every aspect of the area’s history--political, diplomatic, economic, social and cultural. It took more than a century after the first Balkan uprising, that of the Serbians in 1804, for the Balkan people to free themselves from Ottoman and Habsburg rule. The Serbians and the Greeks were the first to do so; the Albanians, the Croatians, and the Slovenes the last. For each people the national revival took its own form and independence was achieved in its own way. The authors explore the contrasts and similarities among the peoples, within the context of the Ottoman Empire and Europe.
Ottomans, Turks and the Balkans
The loss of the Balkans was not merely a physical but also a psychological disaster for the Ottoman Empire. This work charts the creation of the modern Turkish self-perception during the transition period from the late Ottoman Empire to the Turkish Republic.
Balkan Identities
Four main themes are concentrated on in this text, the construction of historical memories; the sites of national memory; the transmission of national memory; and the mobilisation of national identities.
The Ottoman Empire
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The Late Mr. Shakespeare
Our guide to the life of the Bard is an actor by the name of Robert Reynolds, known also as Pickleherring. Pickleherring asserts that as a boy he was not only an original member of Shakespeare's acting troupe but played the greatest female roles, from Cleopatra through Portia. In an attic above a brothel in Restoration London - a half century after Shakespeare has departed the stage - Pickleherring, now an ancient man, sits down to write the full story of his former friend, mentor, and master. One by one, chapter by chapter, Pickleherring teases out all the theories that have been embroidered around Shakespeare over the centuries: Did he really write his own plays? Who was the Dark Lady of the sonnets? Did Shakespeare die a Catholic? What did he do during the so-called lost years, before he went to London to write plays? What were the last words Shakespeare uttered on his deathbed? Was Shakespeare ever in love? Pickleherring turns speculation and fact into stories, each bringing us inexorably closer to Shakespeare the man - complex, contradictory, breathing, vibrant.
