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Holocaust
In Holocaust poet Charles Reznikoff's subject is people's suffering at the hand of another. His source materials are the U.S. government's record of the trials of the Nazi criminals before the Nuremberg Military Tribunal and the transcripts of the Eichmann trial in Jerusalem. Except for the twelve part titles, none of the words here are Reznikoff's own: instead he has created, through selection, arrangement, and the rhythms of the testimony set as verse on the page, a poem of witness by the perpetrators and the survivors of the Holocaust. He lets the terrible history unfold--in history's own words.
Masako's Story
On August 6, 1945, when the world's first atomic bomb was dropped on Hiroshima, the Furuta family was living one mile away from the hypocenter. Five year old Kikuko, her mother, Masako, and her two brothers barely escaped with their lives. However, their soldier father was not so fortunate. Masako never talked about her family's experiences on that day and the grim days following the bombing. Then one day, Masako started to talk about what happenedbreaking a silence of nearly fifty years. Written by Kikuko (Furuta) Otake, now a retired assistant professor of Japanese in the United States, Masako's story is a collection of prose-poetry, based on the true story of her family's tragedy. It is written with an "Objectivist" lineation similar in its understated power to Charles Reznikoff's Testimony. Kikuko Otake's Masako's Story is a powerful addition to the literature of the Atomic Bomb, and yet more evidence that we should all work together to stop the Nuclear madness.
The Objectivist Nexus
Outstanding poets and critics present cultural readings of the Objectivist poets, a group whose works have been largely unexamined.
Against the Grain
Against the Grain is a collection of interviews with nine small press publishers, each one characterized by strength of resolve and a dedication to good books. Each press reflects, perhaps more directly than any large trade publisher could, the character of its founder; and each has earned its own place in the select group of important small presses in America. This collection is the first of its kind to explore with the publishers themselves the historical, aesthetic, practical, and personal impulses behind literary publishing. The publishers included are Harry Duncan (the Cummington Press), Lawrence Ferlinghetti (City Lights), David Godine (David R. Godine), Daniel Halpern (the Ecco Press), Sam Hamill and Tree Swenson (Copper Canyon Press), James Laughlin (New Directions), John Martin (Black Sparrow), and Jonathan Williams (the Jargon Society). Their passion for books, their belief in their individual visions of what publishing is or could be, their inspired mulishness crackle on the page.
The Agon of Modernism
"Lewis's political writings present ambiguities: his stated belief in the autonomy of art from life is contradicted by other statements he made and by his critical analyses of writers; and his political writings blur any a priori generic distinction between art and non-art. Given this blurring between art and life, artistic genre and non-artistic genre, Quema claims that Lewis's political texts present characteristics usually attributed to avant-gardism. However, this radicalism has to be balanced against Lewis's conservatism. Thus his political writings can be read as allegories with two pragmatic aims: to organize the life of the polis from an artistic standpoint and to persuade the reader to adhere to authoritarian politics."--BOOK JACKET.
T.E. Hulme and the Question of Modernism
Though T. E. Hulme was a poet, critic, philosopher, aesthetician, and political theorist who helped define several major aesthetic and political movements, he has until recently been neglected by scholars. Each of the contributors to this collection highlights a different aspect of Hulme's work; taken together the essays demonstrate a shared belief in Hulme's decisive importance to the emergence of modernism and to the many categories that still govern our thinking about it.
Exile and the Jews
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Comic Transactions
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Depression Glass
First Published in 2006. This is part of the literary critcism and cutlural theory collection. Situated within the larger narrative of the symbiosis between photography and modern poetry in America during the 1930s, each text examined by the author is a discrete object constituting a series of empirical statements, expressing certain empirical truths particular to its time and place.
The Cambridge Companion to Jewish American Literature
For more than two hundred years, Jews have played important roles in the development of American literature. The Cambridge Companion to Jewish American Literature addresses a wide array of themes and approaches to the distinct yet multifaceted body of Jewish American literature. Essays examine writing from the 1700s to major contemporary writers such as Saul Bellow and Philip Roth. Topics covered include literary history, immigration and acculturation, Yiddish and Hebrew literature, popular culture, women writers, literary theory and poetics, multilingualism, the Holocaust, and contemporary fiction. This collection of specially commissioned essays by leading figures discusses Jewish American literature in relation to ethnicity, religion, politics, race, gender, ideology, history, and ethics, and places it in the contexts of both Jewish and American writing. With its chronology and guides to further reading, this volume will prove valuable to scholars and students alike.
