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The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
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Im Fokus der Studie steht eine neue Deutung von Rembrandts Nachtwache aus dem Jahre 1642. Zentral ist dabei die Auseinandersetzung des Malers mit der klassizistischen Kunsttheorie von Franciscus Junius. Dessen Werk "De pictura veterum" war 1637 in lateinischer und 1641 in niederländischer Sprache erschienen. So lautet die These, dass Rembrandts Gruppenporträt auf eine Kritik italienisch-klassizistischer Imitatio-Konzepte zielt und zugleich Werke der Antike und der italienischen Hochrenaissance ironisiert. Der Leidener Maler orientiert sich an Raffaels Schule von Athen, um damit implizit die Frage angemessener und unangemessener Nachahmung zu stellen. Die Studie insgesamt will zeigen, wie d...
The quodlibet genre was significant in Viennese theater during the first quarter of the nineteenth century. Quodlibets are important for two reasons: they reflect the ironic intertextuality of Viennese life, and they present a cross-section of music of many genres and styles that was most familiar to the theatergoing audience. This edition includes three works: Die travestierte Ariadne auf Naxos (ca. 1799), a one-act melodrama with spoken and sung sections; Rochus Pumpernickel (1809), a three-act play with musical numbers; and "Das beliebte Quodlibet" from Der Eheteufel auf Reisen (1821), a medley that represent different times and styles, tracing the history of the genre. Ariadne auf Naxos,...
The goal of this book is to formulate a modern theoretical approach for rhetorical studies in a variety of disciplines in the humanities, media research, and other cultural studies. The discipline of rhetoric originally concerned itself with linguistic forms of communication, and its basic theory was developed with such cases in mind. With respect to this ancient tradition, there are numerous books that provide a historical overview of the field. There is also a wide array of introductory works and research contributions that deal with the practice of political rhetoric. On the other hand, only a few 20th century academics have attempted to theoretically rehabilitate rhetoric (after its decl...
Edited by Ronald K. Rittgers and Vincent Evener, Protestants and Mysticism in Reformation Europe offers an expansive view of the Protestant reception of medieval mysticism, from the beginnings of the Reformation through the mid-seventeenth century. Providing a foundation and impetus for future research, the chapters in this handbook cover diverse figures from across the Protestant traditions (Lutheran, Reformed, Radical), summarizing existing research, analysing relevant sources, and proposing new directions for study. Each chapter is authored by a leading scholar in the field. Collectively, Protestants and Mysticism in Reformation Europe calls for a comprehensive reassessment of the relationship of Protestantism to its medieval past, to Roman Catholicism, and to the enduring mystical element of Christianity.
Studies the thought and actions of the Reformation's central figures - reformers, counter-reformers, and their supporters - in the light of ordinary people.
Aside from the prominent perpetrators such as Adolf Eichmann, Josef Mengele or Klaus Barbie, there were numerous other cases of Nazis and Nazi sympathizers from Germany and Austria who ended up in Latin America after 1945. Their life trajectories, professional activities, and contacts to local elites in their new homes have hardly been subject to systematic research to date. Their new lives in Latin America, their careers e.g. as diplomats, secret service agents or scientists are therefore a main focus of this volume. The biographies of these people and their networks are woven into the larger political, social, and scientific contexts of postwar Europe and Latin America, especially in the early Cold War period.
In her study of Oberammergau, the Bavarian village famous for its decennial passion play, Helena Waddy argues against the traditional image of the village as a Nazi stronghold. She uses Oberammergau's unique history to explain why and how genuinely some villagers chose to become Nazis, while others rejected Party membership and defended their Catholic lifestyle. She explores the reasons for which both local Nazis and their opponents fought to protect the village's cherished identity against the Third Reich's many intrusive demands. She also shows that the play mirrored the Gospel-based anti-Semitism endemic to Western culture.