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A beautiful collaboration between Belle and Sebastian frontman Stuart Murdoch and illustrator Pamela Tait, resulting in visual reinterpretations of the band's most-loved songs. From the imagined lives of the passengers riding Glasgow buses in the early 1990s to questions raised about the status quo and musings on the meaning of religion, Stuart Murdoch, front man of Scottish indie pop band Belle and Sebastian, has written some of the most captivating lyrics of the past two decades. Belle and Sebastian recorded their first critically acclaimed album Tigermilk in three days in 1996, and over the course of their career have played a sold-out show at the Hollywood Bowl with the LA Philharmonic, ...
John W. Thompson: Psychiatrist in the Shadow of the Holocaust is the biography of a doctor whose revulsion at Nazi human experiments prompted him to seek a humane basis for physician-patient relations. As a military-scientific intelligence officer in 1945, Thompson was the first to name "medical war crimes" as a category for prosecution. His investigations laid the groundwork for the Nuremberg medical trials and for the novel idea of "informed consent." Yet, Thompson has remained a little-known figure, despite his many scientific, literary, and religious connections. This book traces Thompson's life from his birth in Mexico, through his studies at Stanford, Edinburgh, and Harvard, and his se...
Provides new interpretations and applications of Wittgenstein's philosophy in relation to fundamental issues in contemporary theoretical debates.
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The clean separation between manifold phenomena and a systematic order that prevails in them is a basic feature of the rational-scientific orientation system. The first authoritative formulation of this premise is found in Plato. His discussion of constitutive forms of world events has initiated a broad development in the history of philosophy, which is also effective today in the preference for reason-guided analyses of often confusing circumstances. The authors of this volume address the lasting relevance of this idea within two interrelated areas of research, namely Plato scholarship and contemporary Platonism. Of particular interest is the relationship between Plato and Wittgenstein. Following this overall idea, this volume is divided into three sections: Plato scholarship, Platonism, and Plato and Wittgenstein. As the contributions show, Platonism proves to be not only a purely historical-exegetical field of research but rather a fruitful stimulus for contemporary discussions on logical, linguistic, and social topics.
The Human A Priori is a collection of essays by A.W. Moore, one of them previously unpublished and the rest all revised. These essays are all concerned, more or less directly, with something ineliminably anthropocentric in our systematic pursuit of a priori sense-making. Part I deals with the nature, scope, and limits of a priori sense-making in general. Parts II, III, and IV deal with what are often thought to be the three great exemplars of the systematic pursuit of such sense-making: philosophy in the case of Part II, ethics in the case of Part III, and mathematics in the case of Part IV. Much of the attention throughout is devoted to the work of other philosophers: Kant and Wittgenstein ...
THE SUNDAY TIMES BESTSELLER 'Faulks's most poignant love story yet' ANTONY BEEVOR 1914: Aspiring journalist Anton arrives in Vienna where he meets Delphine, a woman of deep secrets. Anton is entranced by the light of first love, until his country declares war on hers. 1927: For Lena, life in a small town has been harsh and cold. When her love affair with a young lawyer crumbles, she leaves to take a post at a remote snow-capped sanatorium. 1933: Anton is sent to write about the same clinic, the mysterious Schloss Seeblick. In this place, on the banks of a silvery lake where the roots of human suffering are laid bare, two people will see each other as if for the first time. ‘A magnificent, moving novel’ INDEPENDENT ‘Faulks on his best form’ TELEGRAPH
In the years since their first release, Belle and Sebastian have grown from a secretive cult concern into one of the most beloved and revered pop'n'roll bands in the world. Intelligent and sensitive, witty and original, beautiful and bold, their music inspires the kind of devotion not seen since The Smiths. Their continuing desire to push the boundaries of their vision has resulted in some of the most essential and idiosyncratic records of recent times. In this, the first biography of Belle and Sebastian, Paul Whitelaw traces their unpredictable personal and creative curve. With all original interviews and personal photos from the band Belle and Sebastian:Just A Modern Rock Story is the definitive account of the clandestine world and continuing rise of the unique and fascinating musical phenomenon that is Belle and Sebastian.
This monograph examines the private annotations that Ludwig Wittgenstein made to his copy of G.H. Hardy’s classic textbook, A Course of Pure Mathematics. Complete with actual images of the annotations, it gives readers a more complete picture of Wittgenstein’s remarks on irrational numbers, which have only been published in an excerpted form and, as a result, have often been unjustly criticized. The authors first establish the context behind the annotations and discuss the historical role of Hardy’s textbook. They then go on to outline Wittgenstein’s non-extensionalist point of view on real numbers, assessing his manuscripts and published remarks and discussing attitudes in play in the philosophy of mathematics since Dedekind. Next, coverage focuses on the annotations themselves. The discussion encompasses irrational numbers, the law of excluded middle in mathematics and the notion of an “improper picture," the continuum of real numbers, and Wittgenstein’s attitude toward functions and limits.
This book challenges the long-standing presumption that serious philosophical engagement with film and television must be theoretical. It demonstrates, by example, how philosophy of film and film studies can move beyond the methodological assumption that understands philosophical to mean theoretical. In seventeen specially commissioned essays, one in-depth interview, and one reprint, leading philosophers and film scholars exploit the approaches, arguments, and insights of Ludwig Wittgenstein, Stanley Cavell, Iris Murdoch, Augustine, Berys Gaut, Noël Carroll, and Ordinary Language Philosophy, in exploring, amongst others, Gravity, Lone Star, The Handmaid’s Tale, Le notti di Cabiria, Dunkirk, L'Année dernière à Marienbad, Visitors, The Night it Rained, Philadelphia Story, Shoah, Mary Magdalene, Psycho, Blue Jasmine, Three Colours: Red, War Games, and Histoire(s) du Cinéma. In so doing, this collection argues for the power of theory-free philosophy and film studies as a way to expand our humanistic understanding.