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Nestled in the heart of Snowdonia, the small town of Milky Peaks is nominated for 'Britain's Best Town'. However, the award brings with it a dark, insidious right-wing agenda, threatening the heart and soul of the town. Can the community club together to save the identity of their beloved Milky Peaks?
“The queer memoir you’ve been waiting for”—Carmen Maria Machado Grace Lavery is a reformed druggie, an unreformed omnisexual chaos Muppet, and 100 percent, all-natural, synthetic female hormone monster. As soon as she solves her “penis problem,” she begins receiving anonymous letters, seemingly sent by a cult of sinister clowns, and sets out on a magical mystery tour to find the source of these surreal missives. Misadventures abound: Grace performs in a David Lynch remake of Sunset Boulevard and is reprogrammed as a sixties femmebot; she writes a Juggalo Ghostbusters prequel and a socialist manifesto disguised as a porn parody of a quiz show. Or is it vice versa? As Grace fumbles toward a new trans identity, she tries on dozens of different voices, creating a coat of many colors. With more dick jokes than a transsexual should be able to pull off, Please Miss gives us what we came for, then slaps us in the face and orders us to come again.
Two plays from The Stage's 2010 Best Solo Performer award winner, Caroline Horton; Mess is a story of obsession and addiction, while You're Not Like Other Girls, Chrissy is a fond, comical and ultimately poignant portrait of one woman's experience of love and war.
In her first collection of plays, writer and BAFTA-nominated actor Maxine Peake introduces four unique stories of resistance and passion based on real women. From the famous Leeds-born cyclist Beryl Burton battling through various obstacles to achieve success; to Lillian Bilocca, the 'headscarf revolutionary'; to four bold women protesting for Women Against Pit Closures, occupying a coal pit over Easter weekend in 1993; to former MP Baroness Betty Boothroyd, the first woman to serve as Speaker of the House of Commons. Follow these women as Peake guides you through their stories with warmth and Northern candor. Beryl (2014): '...it is impossible to puncture the play's warmth... Beryl ensures ...
How Japan captured the Victorian imagination and transformed Western aesthetics From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization. Drawing on philosophy, psychoanalysis, queer theory, textual criticism, and a wealth of in-depth archival research, Grace Lavery provides a radical new genealogy of aesthetic experience in modernity. She argues that the global popularit...
The Lloyd’s Register of Yachts was first issued in 1878, and was issued annually until 1980, except during the years 1916-18 and 1940-46. Two supplements containing additions and corrections were also issued annually. The Register contains the names, details and characters of Yachts classed by the Society, together with the particulars of other Yachts which are considered to be of interest, illustrates plates of the Flags of Yacht and Sailing Clubs, together with a List of Club Officers, an illustrated List of the Distinguishing Flags of Yachtsmen, a List of the Names and Addresses of Yacht Owners, and much other information. For more information on the Lloyd’s Register of Yachts, please click here: https://hec.lrfoundation.org.uk/archive-library/lloyds-register-of-yachts-online
Henry Cyril Paget, 5th Marquis of Anglesey (1875 - 1905) was born to inherit the Empire. Instead, he burned brightly, briefly and transvestitely through his family’s vast wealth; putting on fabulous plays starring him. When he died, his vengeful heirs burned every trace of his existence they could find, and carried on as though he’d never been. Ouch. But it’s cool; Henry’s going to explain everything. And don’t worry, this will not be in any way an arty or difficult show. In fact, it’s going to be totally, utterly mainstream.
Queer exceptions is a study of contemporary solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. With diverse case studies featuring the work of La Ribot, David Hoyle, Oreet Ashery, Bridget Christie, Tanja Ostojic, Adrian Howells and Nassim Soleimanpour, the book examines the role of singular or ‘exceptional’ subjects in constructing and challenging assumed notions of communal sociability and togetherness, while drawing fresh insight from the fields of sociology, gender studies and political philosophy to reconsider theatre’s attachment to singular lives and experiences. Framed by a detailed exploration of arts festivals as encapsulating the material, entrepreneurial circumstances of contemporary performance-making, this is the first major critical study of solo work since the millennium.
A teenage girl boils up in rage in a toilet cubicle. A finance worker preaches doom in a busy train station. An absurd coke-addled celebrity races through town on a mission. A paranoid stoner stares blankly at the endless disasters on the TV news. In just one moment, all their worlds will end. Winner of Best New Play at The Critics' Awards for Theatre in Scotland 2017
Set eight months following Aberfan Disaster of 1966 (in which 144 people were killed; 116 of them children) The Revlon Girl tells the real life story of a group of bereaved mothers who met every week above a local hotel to talk, cry and even laugh without feeling guilty. At one of their meetings, the women looked at each other and admitted how much they felt they'd let themselves go. So afraid that people would think them frivolous, they secretly arranged for a representative from Revlon to come and give them a talk on beauty tips.