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Contemporary Farce on the Global Stage
Contemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the 21st century. Often dismissed as frivolous, farce speaks a universal language, with the power to incisively interrogate our world through laughter. Unlike farces of the past, where a successful resolution was a given and we could laugh uproariously at adulterous behaviour, farce no longer guarantees an audience a happy ending where everything works out. Contemporary farce is no longer ‘diverting us’ with laughter. It is reflecting the fractured world around us. With a foreword by award-winning playwright Ken Ludwig, the book introduces readers to the ...
Screenwriting For Dummies
Suspend your disbelief—you can make it as a screenwriter Behind every blockbuster film and binge-worthy show, there’s a screenwriter—and that writer could be you! Turn your brainstorming sessions into dynamic scripts with the help of Screenwriting For Dummies. Create believable worlds with relatable characters, gripping dialogue, and narrative structures that will keep even the showbiz bigwigs on the edge of their seats. Once you’ve polished your product, it’s time to bring it to market. This book is full of advice that will help you get eyes on your screenplays so you can sell your work and find success as a screenwriter. From web series to movie musicals to feature films, this bo...
Embodied Playwriting
Embodied Playwriting: Improv and Acting Exercises for Writing and Devising is the first book to compile new and adapted exercises for teaching playwriting in the classroom, workshop, or studio through the lens of acting and improvisation. The book provides access to the innovative practices developed by seasoned playwriting teachers from around the world who are also actors, improv performers, and theatre directors. Borrowing from the embodied art of acting and the inventive practice of improvisation, the exercises in this book will engage readers in performance-based methods that lead to the creation of fully imagined characters, dynamic relationships, and vivid drama. Step-by-step guidelin...
The Best Men's Monologues from New Plays, 2020
Renowned editor Lawrence Harbison brings together approximately one hundred never-before-published men’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights such as Don Nigro, Theresa Rebeck, Rob Ackerman, Len Jenkin, Stephen Belber, and Tim Blake Nelson, and future stars such as David MacGregor, Reina Hardy, Chris Daftsios, Frank Basloe, and Will Arbery. There are terrific comic and dramatic pieces, and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces.
Etiquette for Runaways
A sweeping Jazz Age tale of regret, ambition, and redemption inspired by true events, including the Great Moonshine Conspiracy Trial of 1935 and Josephine Baker’s 1925 Paris debut in La Revue Nègre 1924. May Marshall is determined to spend the dog days of summer in self-imposed exile at her father’s farm in Keswick, Virginia. Following a naive dalliance that led to heartbreak and her expulsion from Mary Baldwin College, May returns home with a shameful secret only to find her father’s orchard is now the site of a lucrative moonshining enterprise. Despite warnings from the one man she trusts—her childhood friend Byrd—she joins her father’s illegal business. When authorities close...
Civil Society and Intergovernmental Negotiations at the United Nations
EPDF and EPUB available open access under CC-BY-NC-ND licence. Civil society organizations (CSOs) and non-governmental organizations have increased at the United Nations (UN) since the 1990s. Yet few studies discuss the notion of inclusion and what it entails in intergovernmental negotiations. This book delves into the UN’s relationship with CSOs, exploring who participates in negotiations and how their input is integrated into ratified documents. Drawing on ethnographic research, the author uncovers the complexities of accreditation, participation, and the interpretation of CSOs’ contributions. Offering a sociological analysis, she highlights the increased exclusion of CSOs despite their apparent inclusion in institutions of global governance unbounded to public accountability. Leah R. Kimber examines the practices of exclusion CSOs are subjected to in UN negotiations by opening the machinery of intergovernmental negotiations in light of the UN’s future and legitimacy.
Something Lost, Something Gained
What would it be like to sit down for an impassioned, entertaining conversation with Hillary Clinton? In Something Lost, Something Gained, Hillary offers her candid views on life and love, politics, liberty, democracy, the threats we face, and the future within our reach. She describes the strength she draws from her deepest friendships, her Methodist faith, and the nearly fifty years she’s been married to President Bill Clinton—all with the wisdom that comes from looking back on a full life with fresh eyes. She takes us along as she returns to the classroom as a college professor, enjoys the bonds inside the exclusive club of former First Ladies, moves past her dream of being president,...
Staging Muslims in Britain
This scholarly volume delves into the manner in which British Muslims articulate their cultural, social and religious identities through theatrical productions in 21st-century Britain and examines their portrayal within these performances. The study investigates the factors influencing the emergence and evolution of Islamic theatre in Britain, providing an in-depth analysis of plays by British playwrights of both Muslim and non-Muslim origins that have shaped the trajectory of British Islamic theatre from the late 20th century to the present. Önder Çakırtaş critically examines how British playwrights, predominantly of Muslim origin but also including some of non-Muslim origin, depict Muslim identity and culture from their unique perspectives, particularly in the context of post-9/11 society. Adopting a comprehensive approach to Islamic playwriting and performance, this book highlights the accomplishments and contributions of contemporary British playwrights, primarily from Muslim backgrounds. This study will be of significant interest to scholars and students in theatre studies, as well as related disciplines such as Islamic studies, sociology and political science.
Slonim Woods 9
An “extraordinary” (Nylon) firsthand account of the creation of a modern cult and the costs paid by its young victims: a group of college roommates “Intense . . . [a tale] of hard-won survival, and creating a life after the unimaginable.”—Salon In September 2010, at the beginning of the academic year at Sarah Lawrence College, a sophomore named Talia Ray asked her roommates if her father could stay with them for a while. No one objected. Her father, Larry Ray, was just released from prison, having spent three years behind bars after a conviction during a bitter custody dispute. Larry Ray arrived at the dorm, a communal house called Slonim Woods 9, and stayed for the whole year. Ove...
